Mis respetos para estos dos grandes de la percusión, dos leyendas y algo muy importante el alumno siempre agradeciendo y mostrando respeto hacia el maestro.
For non musicians, could you explain what is going on with the piano that makes you feel the clave? Are there specific notes hitting at the beats the clave would normally play? To drive my point home, the conga has so many notes within the 8 counts of two bars that they also include the beats where the clave would play but there are so many more notes that I feel you could practically say it includes any beat from any instruments (slight exaggeration but hopefully the point and the question is clear).
Does anyone know what make/model drums that Tata is playing(the red, I believe fiberglass Tumbadoras)??? Is it “Bauer” maybe?…,the hardware looks similar.
When I see these older videos,I notice something. To me the new conguero's seem to be more concerned with looking at their hands.They are more introspective, and absorb with their technical prowess on the congas and less concerned with performance and projecting joy and energy out to the audience.
The music represented in this video is generally categorized as "Afro-Cuban" in that the specific styles mentioned form part of Cuba's vast array of rhythms. She uses the term "Latin" in a general sense in order to reach a general audience that may not have any familiarity with this music. Both terms "Latino" and "Latin" have been commercially adopted in popular culture as a way to discuss or identify this music; of course neither term is really adequate in describing music of Latin America.
Very happy to see this channel still available....... I hope Rebeca is well and treading in a pool of prosperity :) ON my "I'm gonna......" list is something I've wished for for years.....IF there were a resource that would give traditional (I don't want to say "typical") "rules" for a given style....... beginning with the song structure (e.g. the ABABCA and such forms), and also the terms such as diana, montuno, etc., when/where they occur. As for cowbells, which bell and when they play (or don't play) their particular patterns, etc. All this may be perfectly laid out in one of Rebeca's books...... I"ve had "101 Montunos" for many years; if any of her other books break down composition traditions as above, I'm all eyes and ears :) Any newcomers not yet aware of Rebeca's music, suffice it to say that her style is so distinctive, you'll know it's her within seconds. The Afro-Latino genres are so jam-packed with traditional parts, Rebeca's books and CD's bring into focus the parts that sounded like a "wall of sound" to me until someone taught me clave :) From that point, analytical listening sailed for me :)
¡Felicitaciones Maestra Mauleón! Un gran abrazo musical desde Medellín - Colombia. Felicitaciones por su labor en la recopilación y rescate de los ritmos de la música caribeña y tropical. Su labor como investigadora e intérprete es maravillosa e invaluable. ¿Tiene pensado hacer traducciones al idioma Español su material de investigación (Libros, videos, tutoriales y clases maestras)? Será de gran ayuda en la formación de todos los músicos hispanohablantes. y latinoamericanos. ¡Muchísimas gracias! ¡Felicitaciones! y ¡Que sigan los éxitos! Con todo el respeto y admiración. Combo Veracruz Orquesta de (Medellín-Colombia).
Tremendísimo clásico de TATA GUINESS , tremendísimo maestro pero hay que reconocer la maestría de MIGUEL ANGA , UNO DE LOS MEJORES , TREMENDÍSIMO JUNTE !!!!.
La clave la interpreta muy cuadrada . , no acentúa el primer tiempo de la clave de 3 y no poncha el 4 tiempo , que es un concepto fundamental y universal. ( el primer tiempo de cada compás es con acento y posteriormente se aplica a cualquier concepto de música en los diferentes cifrados , en especial el de nuestra música latina.
