Neither with his platinum blond hair and his pale skin nor with his Finnish origin, Joonas Widenius evokes the idea of being one of Europe's most interesting famenco jazz guitarists nowadays. However, he is - and he is a wonderful example how many young European musicians think, live and work meanwhile they create the soundtrack of today's Europe, and today's globalized world.
Widenius was born in 1980 in Tornio in Northern Finnland, and he still loves the solitude and nature of Lapland where he often spends time to get inspiration for new music. His melodies are very often simple as children's songs, sometimes a bit melancholic but easy to be listened - and to be loved. But instead of just following his northern roots and putting those tradition-inspired tunes into a new contemporary livery, Widenius does something pretty unexpected: He uses technique and styles of Spanish famenco to ride on his nordic melodies whereby he created a new style.
Laitanpa kommentin suomeksi ja ehkäpä muutenkin. On hieno esitys ja samalla loistava tutorial. Ehkä jatkossa enkuksi ja auf deutsch, jotta seuraavasti saavat myös myönteisen kommenttini ymmärrettävästi. Löytyihän tämä, josta sähköpostilla kyselin, notta perästä kuuluu. - ht
Wow Mann, du kannst ja sehr gut Deutsch, ziemlich beeindruckend. Besides, what a great way to end the video, playing Northern Fandango, my favourite one from your Repertoire. Do keep the good work up, hopefully see you soon. Alles bestens!.
Sei uno dei miei chitarristi di flamenco preferiti. Tocco pulito, limpido preciso, armonicamente ben costruito, ma ben ancorato alla tradizione.❤👏🏻👏🏻👏🏻👏🏻
Thank you for the answer, I'll certainly try to build something of my own on falsetas I know. I have another question regarding compas. When playing, what is the best way to learn how to stay in compas? Should I for example try to count the compas in my head while playing the falseta or maybe use palmas track with slow tempo?
Counting can be used at the beginning but you won't be able to continue like that as you increase into normal speed playing. You need to start feeling it. If you have problems with counting and playing I'd recommend you looking for compas that is "enumerado" so you can see/hear the numbers For example: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-FIsXGw6osKQ.html
Thanks for taking the time to answer Joonas, super helpful! I was in Sevilla last week (landed at home 2 hours ago :( ) and was invited to play (follow silently) with some great guitarists in the bars. Your answer really helps as they fly off into alt chords, inversions, crazy remates etc etc and I am like a deer in the headlights of a car :)
As usual awesome flamenco education. Joonas really enjoying your new book Flamenco guitar lessons Vol 1. Maybe in a future lesson you can share some of it with your followers. Also what make of Negra are you playing it sounds amazing Be well Amigo. James
Thank You Joonas for your answer and honest opinion. You are a rare true inspiration and talented musician. I always wish you all the success. Keep up the good work.
I'd see some solea escobilla examples in the style of Ramon or Joaquin Amador when they accompany dancers like Angelita Vargas or La Farruca. They are only using 4 basic chords with common rasgueado but I'm not sure what rhythm patterns and syncopation are being used when the tempo builds and finishes with a llamada. I cannot find any instructional videos where they play likes. There are no players in my country that play this way, so joining a dance school here is not the answer. Maybe i have to go Spain and ask someone like Antonio Jero?
Joonas, Do you have a variety of select string brands you use, or do you always use philippe bosset strings? And have you ever experienced playing any classical made guitars?
Every compás figure have their own videos (slow and fast versions) in this book. Videos are behind barcodes. Please check the presentation video, linked in the info box, and you'll get answers to everything I hope.
The book is amazing, one of the best guides you can find on the market to learn the foundations of the main flamenco palos! Looking forward to the next part and congrats for this success!
Its a great book that offers something you can't really find anywhere else. Never in my life did I think I would ever play a Bulerias compas in time at 175 BPM but I'm doing it at the level six. The traditional chord progressions for each Palo is also very nice..has really helped me improve my Fandangos.
Hi Joonas! I've been learning some simpler flamenco pieces (for example Juan Martin) to understand the basic techniques of flamenco. So, I've gained basic knowledge of bulerias, solea, alegrias etc. But one thing I really struggle with is trying to compose something of my own since flamenco music differs a lot from western style of phrasing and such. As a person not born to the flamenco culture, do you have any tips on how to compose own music that sounds flamenco and not just noodling in Phrygian mode? Ps. Terveisiä Suomesta!
Can describe a bit more, so do you mean tension in hands, or shoulders, or overall? Just a little bit more about this issue would help me to answer precisely.
Is there a shortcut to learning the style and the material, meaning the songs and singing styles or does one need to immerse in the culture and step by step familiarize with material. Or could one accompany a singer or be a solo performer without this knowledge? What would a fakebook of flamenco consist of?
Hi Joonas, another cool idea from you :) I'm still visiting Sevilla as much as possible and am now happy sitting outside cafe Central in Alameda and playing along with friends. (progress 😃 ) Teachers in Sevilla seem to like to add a certain amount of "mystery" to their lessons and Flamenco as a whole, meaning a lot of clever inversions, fills, alt chords etc. I can understand that some phrases are extended or contracted depending on the mood of the singer, but does the general progression remain the same, meaning: Is it possible to play Bulerias Letras with a common (basic) chord progression, whilst adjusting the length of phrases according to the singer? (It may sound boring and mechanical but will seriously help when I am totally lost 😩 )
Hi there! You can buy it from Global Music Centre. There've been some orders to US and Canada, so it shouldn't be any problem. Postal costs are a bit higher of course, but if you want, you can also download a digital version. You will find both here: globalmusic.fi/en/shop
This book is beyond awesome and is exactly what I have been looking for quite some time. I love how it progressively goes from extremely basic level to some pretty advanced stuff. Thanks for including Fandangos...I love that Palo!
Thank you very much! Yes, there will be at least Vol 2 and 3 and maybe more. Contents will change a bit but the ideas and structures etc. will be the same.
Joonas rocks ! I’m learning flamenco right now ala Juan Martin’s book and the buleria is what I am currently learning …and this is how I want my buleria to sound ! Thanks from North Carolina
Joonas! Thank you so much! I have been taking private flamenco lessons for the last two years and I've learned more in the last 2 weeks from watching your videos. You are an excellent teacher. I finally understand how things fit together and your technique is very clear. I'm looking forward to getting to the next level with your help. Keep it coming!
Thank you so much for the feedback! I'm happy I can help you. By the way, if you're interested I just released a new compás book last January where is over 100 compás figures for 12 different palos. With videos of course. You can find it here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-VtOyhxu-t_g.html
His book is great... Ive been playing for about 2 years too and I understand compas way more now. The progression of the book helps you to learn how to keep time better and as you learn to play the simpler ones in time, you just move on to the harder more complex ones. Ive been to a few flamenco events recently and its shown me that is you dont have the compas down you really dont have anything if you want to play with other people. :-)
@@JoonasWideniusOfficial Sure thing..not in a million years did I ever think I would be able to play a Bulerias rhythm at 175 BPM but I am doing it.....i hope you put out more stuff in the future.
I'm not playing here. I am the composer and the player is a Finnish classical player Janne Malinen. So that's why there's no problems with the technical issues 🙂