This very CD arrived in the post two days ago along with Charles Mackerras’s version with the Scottish Chamber Orchestra - I’m am very much looking forward to listening to them 🙂
Phenomenal tone, precise articulation, great attention to dynamics, perfect intonation, and sterling musicality, this is Gomberg at his best, in every way comparable to his performance of the Bach double with Isaac Stern.
I just got home from a road trip in which I drove past My Old Kentucky Home. I got interested in Stephen Foster and found this song. It's the only song that I'm sure I've heard but have no idea where. Now I want to take a day trip just to go to My Old Kentucky Home.
Excuse me, : for this great music, the information you provided about the performers is puzzling: Under the video, it's stated that it's by the Academy of St. Martin-in-the-Fields conducted by Neville Marriner, , while on the video image we see on the screen, it states the performers are the English Chamber Orchestra conducted by Benjamin Britten.
Britten conducted the Brandenburg Concertos. This concerto here on which you are commenting was conducted by Marriner and was included as filler material on the same set.
Mystery solved. I had this disc set, and I also knew I had BWV 1060 somewhere but I couldn't find it. Didn't think to look for it as a filler on the Brandenburg Concerti set.
Gordon lightfoot wrotr this after hearing Beautiful Dreamer. YOUR LOVRS RETURN ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-D0qj4oPL8Ck.htmlsi=H0cN2jhqRXwa2yS-
When I was deployed in Syria and saw the Chaos and violence that happened not to include the war I was fighting. When I had brief moments on alone time. I’d throw my headphones on in 1 ear and listen to the part Andante Molto Mosso and feel a small measure of peace in this world. I still listen to this back at home whenever I get really stressed. This song in a way saved me.
In July of 1785 the Vienese publisher Hoffstetter met with Mozart after a Freemason’s meeting (‘to order from Brother Mozard three easy-to-play Klavier quartets’) but after beginning the first movement K.478 in July under the watchful eye of his then-visiting father Leopold he then began completing a number of musical fragments that Leopold Mozart helped him sort through since his move to Vienna in 1781… Unfortunately Herr Hoffstetter found the ‘romantic, tragic’ music of K. 478 which was played over to him at one of Baron van Swieten’s regular Sunday morning 10am soirées) ‘too difficult & learned for the Viennese public who preferr’d ‘light musical soufflés’ to ‘heavy meat dishes’) But M. did not complete the third movement (‘Rondo : Allegro) until 14 October 1785 after his father returned back to Salzburg (‘where he belonged at his age’) - but although Hoffstetter had paid him half up front, he refused to publish the engraving plates tho’ he let M. keep the plates & the initial honorarium (undeterred M. went full steam ahead & completed the sketch-draft of K. 493 in E-flat by 3 June of 1786 both quarters were eventually published by Artaria in the summer of 1787) … That’s the problem with forward-thinking composers such as Mozart whose genius raced far ahead of the general public who took half a generation to ‘catch-up’ !!
È pura classicità anticipatrice di romanticismo. Sentimento apollineo unito a sentire romantico. Le note del secondo movimento infondono nel ❤️ un sentimento dolcissimo.
Placido è il mar, andiamo Tutto ci rassicura Felice avrem ventura Su su, partiamo or or [ELETTRA] Soavi Zeffiri soli spirate Del freddo borea l'ira calmate D'aura piacevole cortesi siate Se da voi spargesi per tutto amor.
