@Michael Compitello oh thanks! I'm working this piece up with my Cellist friend in the UK and we're so excited to develop this work for our recitals. I have a question about the pots, what sizes did you end up buying and would you recommend going for the standard brown terracotta pots for all the notes?
@@Michael-Oh I'm not sure what sizes I ended up buying. It really depends on the pitch of the pot. The terra cotta is great for almost all the pots. I use glazed for the G6 and A6: more durable and clearer pitch. Glazed pots could work, but they tend to have higher pitch than terra cotta, so you'd need some pretty big pots for the low notes!
I can't listen to this enough. I immediately helps my shoulders relax. Honestly this was the worst day of my life and it still helped me. Thank you for all y'all do.
I really loved when people started to come to the playground. It felt like a natural cue for the music to change and come to life. So beautiful. I cried through most of it. Just a touching performance and origin story.
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Really great job on this piece! You guys sound fantastic! I'm working on this piece for a recital I have coming up and I was wondering about your solution for the "bowls". I know in the title page Didkovksy says to use metal pipes so I was wondering how you figured out the length/metal type to get the pitches you need? Anything you know that might help me out would be awesome! Thank you!
Hi there! Glad you like the video! We used tuned metal pipes for the bowls, tuning them with pipe cutters and setting them on foam weatherstripping. They are the wrong octave, so I got in the habit of doubling them an octave lower in the last movement. Hope this helps! -Mike