Thank you! Cheers!

You can buy my Axe 3 patches here derrylgabel.net/product/an-afternoon-with-derryl-gabel-download-version/

Thanks for listening! Here's just me, bass and drums ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-qgsby3PLsYU.html

Thank you! Cheers!

Thanks for listening

Deryll Garberl (Difficult Name), you are underappreciated for your great work. You are great and we need to whip your marketing team to get you around the world

Many thanks!

Thanks for listening

Thanks! You too!

Thanks again!

Thanks for listening

He's done a fantastic job with all these note for note Holdsworth solo transcriptions, but "unique stamp"? How do you figure? He's doing exact for note renditions using a very Allan like tone. It's not intended to be a unique stamp, and isn't; it is an exercise in recreating something as accurately as possible.

Thanks for watching and commenting! Have you seen the videos with the synchronized transcriptions? If you play guitar, you should check those out!

Hi Luke, I suppose the A58 would work better because of its frequency range. I haven't experienced any glitches or drop outs.

Working on an original. Maybe I'll do Bradford at some point.

Good questions. I don't know if you can replace the battery. I've had the U2 system for several years and it's still going strong but I know eventually the battery will no longer hold a charge.

Thank you so much!!

My audio interface is an old M-Audio Profire 2626. It get's the job done and for what I do, it's fine.

Good question! For one, anytime I learn a Holdsworth tune or solo, it's like taking a guitar and music lesson from him. Plus, many years ago, I kept hearing people say, no one can play Holdsworth solos. They are impossible etc... Funnels was my first attempt at playing one of his solos in it's entirety, at tempo. In the past, I would transcribe his stuff but never work up the entire solo to tempo. Once I did that one, it gave me the confidence to do another and another. Besides the learning aspect, it was good for my technique in the sense of having to practice the solo enough times to play it at tempo because if I'm not working on a project, I tend to not play as much and I get rusty. It was also very good for marketing and getting more eyeballs and ears on my videos and ultimately, people buying my courses and albums etc... Another thing I found interesting is some folks telling me "man, I didn't know you were that good!" It's like covering a Holdsworth solo gave me more credibility and validity in their eyes.

​@derrylgabel I think it's awesome that your solo work is still extremely unique from Allan's stuff. Allan only wanted everyone to find their voice, but your dedication and attention to detail on his work is amazing. Glad we can be lifted your content in any way Derryl

@@derrylgabel I like that. I feel like I can admire and prefer someone's playing, Like Holdsworth, or Michael Hedges, Al Di Meola, or Jimi Hendrix. But I don't have to deify them and make them to be something that I could never play the techniques they played or get a sound quality like, because they were Gods of guitar. Like ten years ago, I made a comment on a video of Jimi playing Johnny B Goode at Berkeley. And that, that very recording, when I heard it in the eighties, when I was a teenager was a huge influence on me. And that it still sounds great, though I can play like that now. I said that then, and I just found out the last year, I was still getting angry replies how wrong I was to say I could play like Jimi, not only from people that never heard me even play, but that no one could play like Jimi.

@@derrylgabel been watching you for many years and you've not only managed to capture Alan's notes but also the spirit of his music which makes you an even more compelling musician i really appreciate what you do