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Lovely piece, lovely playing. Is anyone aware of an orchestrated version of the 2nd movement, "Modestamente"? At about 21:27 you can hear bits of it: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-J3ne7Udaetg.html Thanks in advance!
Camarata's Contemporary Chamber Group's Velvet Gentleman album has orchestrated versions of many of these pieces. I think the title of the one you're looking for is different than what is listed here, although it is the same song. On Camarata's album it's called Pieces Froides II Air De Faire.
i could get stoned and get slowly drunk all day and all night...but I have to eat...so I pedal all the way to food no matter....Erik does it for me while I cycle
@@Nooticus Kapustin's zodiac sign is Scorpio-Sagittarius Cusp, which definitely explains why so many of his pieces sound so free, adventurous, outgoing, and energetic.
Blanchet is so underrated. Even if I'm not bowled over by the pianism here, I admire the attempt. This is not easy to play! And the music itself is strangely attractive.
@@4candles Yeah, this certainly isn't an ideal recording (considered not even making the video because of it), but I wanted more people to know about Blanchet.
Well played! Thanks for the recording! It's just a pity that there is no jazz swing here, but Anyway sounds great, which indicates the high quality of the music and performance. There is a funny mistake in one place: in the Fifth Etude, there is a passage with a shift an octave higher and at some point it sounds for some reason an octave lower. This means a descending chromatic passage with trioles from above. Прекрасно сыграно! Спасибо за запись! Жаль только, что тут нет джазового свинга, но и так всё звучит отлично, что говорит о высоком качестве музыки и исполнения. В одном месте есть забавная ошибка: в Пятом этюде в идёт пассаж с переносом на октаву выше и в какой-то момент оно звучит почему-то ниже на октаву. Имеется ввиду нисходящий томано-хроматический пассаж триолями сверху.
Such a lovely skazka. I love Medtner's intepretation, i am glad that, he recorded his playing. Thanks to his own interpretation i have recognize many detail, which are not so clear in others interpretation, for example his reference to his Sonata ballad (or Quintet, or the muse) at 1:44.
You are very courageous, @ceciliawinter3249 , I hope that you will be able to "master" the central section, which is in six sharps (including E# = F-natural) -- with plenty of accidentals!
This is a reply for @kitbuiz: Yes ... von Henselt's TRUE "Op. 16" is his great piano Concerto [movement III = WOW!] -- ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Sv5v4jRBHg4.html . I think that the number, "Op. 16," was accidentally MIS-assigned to this lovely Fantasy for a good reason: It appears that, for some time, this work was wrongly attributed to Pyotr Bulakhov ... and perhaps it was HIS Opus 16. (A different explanation is possible, but I could find no other one on the Internet.)
