Check the other comment, man. It is, in fact, a rare jazz tuning! Known only by those in the "know". Clearly, sir, you are far away from being in the "know".
Ah, one simply cannot help but marvel at the exquisite pop and slappability exhibited by the Kubicki Key Factor 4 bass in the hands of our bass virtuoso. It transcends the mere realm of instruments and ascends to a regal status, a true scepter of sonic sovereignty. As the resonant tones emanate from the Key Factor 4, one is reminded of the dignified prowess it bestows upon the performance. The precision of each pop and the resonance of every slap echo through the air like a musical decree, commanding attention and reverence. Even in the midst of a rendition of "Santeria," where the bassist's skill may be rudimentary at best, the Kubicki Key Factor 4 stands as a beacon of excellence. Its aristocratic lineage of craftsmanship and design shines through, elevating the sonic landscape with an air of sophistication. Indeed, in the hands of a master, the Key Factor 4 is not merely an instrument; it becomes a royal companion, guiding the musical journey with regality and ensuring that even the most rudimentary efforts are enveloped in a cloak of majestic sound.
Sweet bass playing, and lovely setup ya got there. Was so used to the Kubicki '96 KeyFactor 4 with 9V powering that i ignored your other works. This bass has a lovely sound, and your solo was beautiful which im sure took much tabbing out and practice, so props to you. Side note, is your shirt Cedar Point as in the 364-acre amusement park located on a Lake Erie peninsula in Sandusky, Ohio, United States, which opened in 1870 and is considered the second-oldest operating amusement park in the US behind Lake Compounce? I remember the good old days of going there along with Euclid Beach.
Look up videos from Johnny Lee Long. You and him both share very similar play styles. Bonus points for the Kubicki bass! By the looks of it, it seems like a Phillip Kubicki handmade KeyFactor model, as opposed to his more mass produced fender-shop models. Fun fact, it took him 15 years to make what it took Fender to do in less than a third of the time. Also-- quick question : Is your KeyFactor a 9 volt? I only ask because I can hear a certain clarity and pop in the mids and (shaker) highs that are lost with 18 volt power, which favors a more deep bass end.
Thank for your kind words and interest in kubicki basses . It is remarkable what Phillip was able to do. And good ear! Yes it is a 9v. I only play 9v’s. 18v’s do not give the same result. I assure you.
@@DimitriPelletierRU-vid I express my profound gratitude for your gracious sentiments and discerning interest in the distinguished realm of Kubicki Basses. The accomplishments achieved by Phillip are nothing short of extraordinary, elevating the artistry to unparalleled heights. His prowess is truly commendable, and your astute acknowledgment reflects a discerning ear attuned to excellence. Allow me to elucidate that the instrument in question operates on a regally chosen power source-none other than the venerable 9-volt configuration. In matters of sonic refinement, I staunchly adhere to the belief that 18-volt alternatives fail to yield the same sublime results. Rest assured, my musical journey is exclusively curated with the ethereal resonance derived from the judicious deployment of 9-volt symphonies, a choice made with unwavering conviction.
Solid bass work. Not an easy song to play. I remember i used to have a keyfactor (I believe there were less than 300 made) but I sold it a while back. Glad to see the key factor tradition is still alive!
