I'm an Aspie furry (not the stereotypical creepy sexual kind) from Massachusetts who loves to make videos, especially RU-vid Poops and stuff of me cosplaying, particularly as either my own fursonas Zak Wolf (a classic cartoon Big Bad Wolf-type) and Sam Valentino (a private toon detective fox), Scooby-Doo, Wile E. Coyote or Disney's Big Bad Wolf. I am also the co-creator of the "Golden Book Video Killers" web series. Also quite a bit of 1980s and 1990s nostalgia abound! I was also one of the first to make a RU-vid Poop of Caillou's infamous tantrum from "Caillou Joins the Circus," way back in 2008!
Because of the whole "RU-vid Kids" thing going around, I thought I should flat-out say that this RU-vid channel is not intended for young children. It's largely aimed at teenagers and adults, especially since I am a somewhat young adult.
Okay, how about doing a Let's Play either Harry and the Haunted House or the Berenstain Bears in the Dark this Halloween (I would like to see RU-vid Poop version of these computer games like you did with your RU-vid Poop version of Little Monster at School!)
Okay I got RU-vid Poop ideas for you: DW the Piggy Eater (remake of Trudermark YTP) Arthur's Last Vacation (Remake of RobLDM89 YTP) And the Kitchen Kink (Remake of MrTheAmazingDude YTP) A YTP where Caillou, DW, and Skippy Squirrel throw a tantrum after watching the deaths of the Smurfs. Caillou, DW, and Skippy are then arrested by the Temper Tantrum Patrol Squad. This is a semi remake of DW Watches the Deaths of the Smurfs. A RU-vid Poop based on the song in the 23 & WB episode. Also, you should do illustrations from The Black Smurfs, King Smurf, The Smurfette, The Egg and the Smurfs, The Smurfs and the Howlibird, and The Astrosmurf with audio from the 1981 TV series adaptations.
The H-B cartoons animated with cels looks amazing remastered. The colors are bright, and natural. The cartoons that were digitally colored don't look as good, but WB did try their best with 'A Pup Named Scooby-Doo's first season.
The Berenstain Bears Show (also known as "The Berenstain Bears") is an animated children's television series based on the children's book series of the same name by Stan and Jan Berenstain, produced by DiC Entertainment "Green Vortex" and DiC version of "The Berenstain Bears". It aired in the United States from September 14, 1985, to December 6, 1986 on CBS with 26 half-hour episodes (or 52 11-minute shorts) produced. Reruns of the show would continue to air on the network until September 5, 1987. Each show consisted of two episodes, the first being an adaptation of one of the books, the second being an original story. Plot The series is set in a forested land populated only by anthropomorphic bears and primarily centers around the Berenstain Bears. The Berenstain Bears are a family residing in the rural community of Bear Country. The family consists of Mama Bear, Papa Q. Bear, Brother Bear, and Sister Bear. The series teaches lessons, continues from the TV specials, and expands Bear Country as well as character development. Each episode follows the struggles of the family, mainly the cubs. The characters and setting are from various books written by Stan & Jan Berenstain as well as from several television specials by Joe Cates. Other characters are Actual Factual, Big Paw, Mayor Horace J. Honeypot, Farmer Ben, Cousin Fred, and Grizzly Gramps & Gran. Characters also introduced are Officer Marguerete, Scout Leader Jane, Lizzy Bruin, Queen Nectar, and Old Jake the Catfish (Queen Nectar and Jake are not bears but they do talk and interact with the Cubs). The main antagonists of the series are the "swindler" con artist Raffish Ralph and occasionally Weasel McGreed, seen in six episodes. To a lesser extent, Too-Tall Grizzly is another antagonist, serving as the school bully. Other episodes involve "The Bear Detectives" and their sniffer hound Snuff, Papa Q. Bear's attempts of honey gathering, interaction with forest creatures, and attempts by Weasel McGreed to take over Bear Country. Voice cast Brian Cummings as Papa Q. Bear, Actual Factual, Bigpaw, Horace J. Honeypot, Too-Tall and others Ruth Buzzi as Mama Bear, Grizzly Gran, Scout Leader Jane, Queen Nectar, Teacher Jane and others David Mendenhall as Brother Bear Christina Lange as Sister Bear Marissa Mendenhall as Lizzy Bruin and others Josh Rodine as Cousin Fred John Stephenson as Bill Bunny Frank Welker as Raffish Ralph, Weasel McGreed, Grizzly Gramps, Farmer Ben, and others Production From 1979 to 1983, The Berenstain Bears made their television debut as a series of holiday specials that aired on NBC. The specials were created and written by Stan & Jan Berenstain, produced by Joe Cates, and directed by Buzz Potamkin. They continued to make one holiday special each year for five years. After the release of The Berenstain Bears Play Ball, the team began developing a TV series based on the books and to a lesser extent, the same TV specials produced. Joe Cates and Buzz Potamkin produced this TV series as well and Elliott Lawrence continuing to score music for the episodes which were based on his compositions from the five specials, but in a faster pace. Some of the production staff who worked on the specials would continue to help out on the show's development. In addition to creating the original books, Stan and Jan Berenstain were producers on the show, and wrote some of the scripts. Since Joe Cates was responsible for contracting NBC to fund the TV specials, he tried to pitch the show to the network, but his efforts would be ineffective due to a change in network leadership at the time. However, CBS got interested in the project and would soon struck a deal to pick up the series for a first 13-episode season as an attempt to lure a new audience for their Saturday morning "Kids Just Wanna Have Fun" lineup. In addition to adapting existing works, CBS executives wanted the series to have an original story tied in to the episodes. Allegedly, some of the pre-existing episodes that were planned (mainly the adaptation of the books "Too Much TV" and "Too Much Junk Food") were turned down by the executives. This actually frustrated Stan and Jan Berenstain, although many of the original segments would end up being turned into books. The program was produced by DiC Entertainment "Green Vortex" with new voice actors, and DiC version of "The Berenstain Bears". The characters no longer talk in rhyme, and the TV series has an updated appearance, no longer carrying the rustic design of the earliest books. The series expanded tremendously on Bear Country which includes many characters and landmarks as well as the economy and government. As a result, the episodes have faster timing, and the characters seem much busier compared with the TV specials. The stories are now told without a narrator and are 11-12 minutes in length. Home media releases A few episodes were released on VHS and DVD from various home entertainment labels, such as Random House Home Video, Goldstar Video, Feature Films for Families and Sony Pictures Home Entertainment, albeit with slight alterations (such as a different design for the episode title cards). All of the episodes are available to watch for free on RU-vid via the official Berenstain Bears channel, though with varied video quality. Episodes Season 1 (1985) The Messy Room/The Terrible Termite Go Fly a Kite/The Trojan Pumpkin The Spooky Old Mansion/The Fly Away Pizza The Giant Bat Cave/Wild, Wild Honey The Neighborly Skunk/The Missing Pumpkin Too Much Birthday/To the Rescue The Soccer Star/Shoot the Rapids Knights to Remember/The Super Duper Bowl Not-So-Buried Treasure/The Condemned Scratcher Kong for a Day/Blaze a Trail No Girls Allowed/The Missing Dinosaur Bone The Spookiest Pumpkin/The Dancing Bees Learn About Strangers/The Disappearing Honey Season 2 (1986) In the Dark/Ring the Bell Forget Their Manners/The Wicked Weasel Spell The Truth/Save the Bees Get in a Fight/The Bigpaw Problem Get Stage Fright/Go Bonkers Over Honkers The Great Honey Pipeline/The Great Grizzly Comet Sure-Fire Bait/The Cat's Meow The Trouble with Friends/The Coughing Catfish The Substitute Teacher/The Mansion Mystery Bust a Ghost/The Ice Monster The Crystal Ball Caper/The Raid on Fort Grizzly The Forbidden Cave/The Hot Air Election Life with Papa/Save the Farm
Bart represents how most anime fans watch anime with lots of interest. Lisa represents those that view anime as to weird and don't give it an opportunity.
Which Movies/TV Shows Are in Thunder and Lightning Sound Effects (1990's-Present) from Signature Series - Peter Michael Sullivan (The Hollywood Edge) List is?
Which Movies/TV Shows Are in Thunder and Lightning Sound Effects (1990's-Present) from Signature Series - Peter Michael Sullivan (The Hollywood Edge) List is?
Did you hear about Disney+ removing Hailey’s On It for a tax write-off? I never watched the show, but I feel bad for the future generations who will be unable to watch it legally (at least while it’s still under copyright) and the people who worked hard on the show. In fact, people spent so many work hours making the movies and TV shows that got removed from streaming services for tax write-offs. Many months or years of hard work deserve to be seen by future generations forever. And it doesn’t help that many of them don’t have physical media releases which makes being able to watch the show after the removal very difficult, since people can’t upload the full things to RU-vid until their 95-year copyright term (it may get extended in the future, like to delay SpongeBob from entering the public domain for a few more decades or something) expires. If these tax-write offs continue, I assume by the year 2100, at least half of 21st century media would be inaccessible legally due to tax-write offs. Even if a movie, TV show, book or video game is considered really bad, it doesn’t deserve to be locked out from future generations. They may want to make fun of it. And if we have an all-digital future with no physical media and no physical books, all it takes is a removal (especially if it’s a tax write-off) to prevent future generations from enjoying certain pieces of media. Speaking of the public domain, I realised that on Public Domain Day 2042 (assuming no further copyright extensions), let’s just say people will be singing ‘Zip-a-Dee-Doo-Dah’ about a certain 1946 film entering the public domain in the US.
Hope you'll get more money, Zak Wolf. And as for Velma being canceled, two words "Bad idea." Once the viewers saw this, they only wanted to see more Scooby-Doo.
I wish I could get a laptop but laptops don't last especially when some connections age. I might give you a request from me, can you make a film on cameras that take SD Cards with whatever number GB? They last long and the best way to talk about is Sony's camera the DCR-SR200 or in Australia UK Tasmania and New Zealand DCR-SR200E. The DCR-SR200 has a few picture effects - as you've been talking on special effects which are cool - like B&W Sepia Old Movie and Pastel but there's no NEG Art. The downside is it doesn't have buttons like play stop pause fast forward and rewind so I use my cassette cameras to connect to the telly prop the Card camera in front of it - with the lens cover shut - then record before I animate. I hope you find the DCR-SR200 interesting because I haven't taught myself to try it's use.
Yep. I use a Canon VIXIA HF-R600 camcorder that records in H.264 and AVCHD onto SD cards. Then I import the footage into a computer for editing, and also, I prefer to save the effects for the editing stage.
The Scooby-Doo Show (1976) has gotten a lot of recognition on TV this year. It’s been airing on CN, Boomerang, and MeTV Toons. Also, it looks like the streaming prints of the Pup episode “Lights, Camera, Monster” have no low pitch. I think the reason why the episode was low pitched on DVD was because they probably used a PAL master and converted it to NTSC. The audio also plays at a slower speed too thus stretching the episode by a minute. I really hope that there’s a show or movie that will probably save this so-called “Dark Age”. Also, most of those shows that were removed from Max are also available on places like Hulu and Tubi. And one more thing… #ReleaseCoyotevsAcme
I would say Coyote vs. Acme won't get deleted from existence forever because I'd hope MGM would release the movie on Prime Video after they released Merry Little Batman and Caped Crusader
I am glad that Smellma isn't getting renewed for a third season, since nobody really likes that show anyway. Jay Sherman was right in that nothing of value was lost. I am also with you in that while I may not like a lot of Cartoon Network's newer shows, I do feel bad for both the people who worked on them and the fans of those shows. As a longtime fan of the OG Tiny Toon Adventures series who strongly prefers it to the Tiny Toons Looniversity reboot, I personally don't see Looniversity lasting beyond the two seasons it has planned for a number of reasons; David Zaslav's anti-animation ways, the numerous changes from the original series that fans like myself aren't particularly fond of, and the fact that with the occasional exception, many modern Warner Bros. animated series don't go beyond two seasons. However, I am still awaiting the rest of Season 2 of Looniversity, including the "Nightmare on Toon Street" and "Winter Blunderland" specials. I want to see how they compare to "Night Ghoulery" and "It's a Wonderful Tiny Toons Christmas Special" from Adventures. On a subject not related to Warner Bros., Nickelodeon has released the Rugrats (2021) Season 2 DVD box set, which includes the remaining episodes that neither aired on television nor the Paramount+ streaming service; "The Tommy"/"Breaking Begley", "The Sleepover"/"The Favor", "Big Night"/"No No Nana", and the "Chuckie Come Home" 2-parter. It's the least Paramount and Nickelodeon could do after pulling Rugrats (2021) from Paramount+. Sure, it has a lot of changes that longtime fans of the original 1991 series aren't fond of, but like Muppet Babies (2018), it's far from the worst reboot I've ever seen and there are definitely much worse ones.
Sounds like a hard road for animators… hmm… that means I must do some double research and prepare myself for any problem that would come my way if I were to succeed my dreams of being an animator.
