Founded in 1980 from an idea of Giovanna Nocetti, Kicco Music has produced to date more than 20 complete works on DVD video and about 200 other works, concerts and recitals on audio CD distributed all over the world. All the productions have been digitized and is available online, through the official Kicco Music channel on RU-vid, both at the main music stores such as Itunes, Amazon, Deezeer, Spotify etc…
Is this the new 😢artificial intelligence ? Singing artificial persons ? But I dont divide the brutal negative meaning of one writer here. Romeo & Juli sing with belcanto technics, others do not fit a 100% but 55%. Viewing from above you listen nice Bellini Belcanto. Thanks.
This finale is far much better than those 3 by Callas. The last sentence by Callas sounds without sense; "al altra riva io vo": which riva???: here the dialogue between Giasone and Medea provides a lot of sense! What a pity that Callas cut off this magnificent finale...
… il mio vagare su YT mi fa approdare in un’oasi incontaminata del barocco più bello: sontuoso ma senza eccessi , voci solide e nitide …e la magnifica musica di Porpora ! Particolarità: si ascolta l’aria “Senti il Fato” ma con un testo diverso.
Son pochi fiori, povere viole, Son l'alito d'aprile Dal profumo gentile; Ed è per voi che le ho rapite al sole... Se avessero parole, Le udreste mormorar: «Noi siamo figlie timide e pudiche Di primavera, Siamo le vostre amiche; Morremo questa sera, Ma morremo felici Di dire a voi, che amate gl'infelici: Il ciel vi possa dar Tutto quel bene che si può sperar.» Ed il mio cor aggiunge una parola Modesta, ma sincera: Eterna primavera La vostra vita sia, ch'altri consola... Deh, vogliate gradir Quanto vi posso offrir! 8:38
Исполнительница партии Танкреда очень понравилась. Голос мягкий, потрясающей красоты тембр, музыкальность - всё в наличии. Но режиссура явно подвела. Спектакль вяленький. За громоздкими комтюмами и декорациями - полная инфантильность и отсутствие драматической динамики.
La grande Maria Dragoni e i suoi degni partner - alla fine, una delle migliori interpretazioni di quest'opera che abbia mai ascoltato - e ho ascoltato dozzine di La Traviata.
Todas as maravilhosa obras musicais que o saudoso PIETRO MASCANI, deixou para nós são sempre lembradas com as diversa execuções belissimas com essa que agora estamos assistindo
Oh, the piano just ruins the dramatic effect. Sorry, but it just sounds like any blah recital. This work needs its FULL ORCHESTRATION, not this piddly tiny chamber set. I feel like I'm sitting in a high school auditorium even with this beautifully acted video on screen. And these are no musicians playing, that's painfully obvious.
Не единственная, а как же оперы Вивальди? Генделя? Там главные герои тоже контратеноры. Вообще в эпоху барокко был популярен голос контратенора, но мы сейчас говорим о Россини. Так вот, в какой-то момент оперной традицией стало исполнение мужских персонажей высокого голоса женщинами, так как в наше время очень мало певцов с контратенором.
This is an insult to opera and Cherubini. A disgrace! The singers are utterly bad, with very small, back throated voices, hence why none are projecting and can be heard, especially Creonte. It's true that opera is really dead. The Medea is unbelievably awful. Who's hiring all these people? The acting, which is almost non-existent, is so cringy. The staging is great though but that's about it. Mosquito voices that should never attempt opera. They should just do lieder or church hymns. In one word: HORRENDOUS!
I like the way this guy uses notes. After 40 plus years of nights at the Opera, how come I never heard of him? Was he hiding out in Brooklyn or something?
J'apprécie la mise en scène, l'orchestre, dans une moindre mesure les choeurs (ils n'ont pas la sensibilité des "Catenesi" et il loro Cigno !) Manque les dernières notes dans les grands airs du ténor, de la mezzo (cfr Marilyn Horn), la soprano n'a rien d'une voix bellinienne (cri....) Ce n'est plus du "Belcanto" .... Je retourne à ma version avec Beverly Sills et Gedda, ou à la version avec Patrizia Ciofi. Un petit rappel en passant : Lorenzo, dans la partition est prévu pour une basse et pas un baryton ...... Déjà dans cette version de 2001, le beau chant élégiaque écrit par le Grand Vincenzo Bellini semble bien lointain ! Purtroppo !
