We are an entertainment company based in Dublin, Ireland providing corporate and private event entertainment.
We provide entertainment for Gala Dinners, Award Shows, Corporate Dinners, Annual Dinners and Weddings to name a few.
To learn more about us and what we do, please check out our videos and our web site. Don't hesitate to get in touch to see what we can do for your next event!
Does using a bar in your hand on the back of the bodhran make the changing of tones as you move your hand more pronounced than just using the back of your hand? Brilliant playing!
Nice to see an awesome Irish step dancing production without the name Michael Flatley attached to it. He paved the way, but I'm glad to see a new generation of dancers and choreographers that are picking up where he, Moya Doherty and John McColgan ( the producers of Riverdance), left off.
I must state forstly that I love this solo, the performance and the performer behind which. However, i wishto share one gripe that I am compelled to share due to the obvious brilliance of this piece, thus not requiring my adding to the alreasy perfectly explained glowing reviews here. my gripe is the decision to perform a speeding up of the tempo, original pulse, feature. While this might excite the average listener, for me as a drumset player i found this rhythmically stifling and unecessarrily distracting. The tone, the rhythms, the phrasings and the musicality all impressed me so much that i foundbit hard not to dislike the moment the player decided to have a section that phased the tempo into a faster one. I enjoyed the dance and syncopation of his melodic work but this suddenly became slightly obscured when the speeding up became a motif of this solo. I share thhis with real compliments and respect fpr the overall piece and o think o demonstrate my real respect by expressing any disappointment because of personal expectations. Ignoring the speed up i easily enjoy the musicality and creativity of this excellent percussion artist, but i cannot shake wishing he simply sat in the pocket and allowed me to marvel his syncopated rhymical dance when settled on a regular or more consistent pulse reference. I hope im not being overly critical and an understood for what im trying to express here
