Wenn man als Solist die Augen schließt und verzückt vor sich hin spielt, wird man diesem Musikstück nicht gerecht. Es handelt sich hier um einen Dialog, und zwar um einen sehr liebevollen bzw. stellenweise sehr spielerischen Dialog. Da müsste man sich sozusagen "die Bälle zuspielen" und sich gegenseitig anschauen. Am besten machen das Julia Fischer und ihr Partner an der Bratsche, Gordan Nikolic.
My jewish landlord had been married to a concert-pianist and he mentioned that she also performed this 2nd pianoconcerto of Beethoven. Often we listened to a cd of this 2nd pianoconcerto when we were in the car, because it reminded him of her.
El patriotismo es el ultimo refugio de los canallas. Es curioso como la derecha siempre habla de patria pero cuando lo necesita no duda en reclamar ayuda extranjera. La derecha española es eso es especilista, tras la guerra contra Napoleon no dudo en llamar a los 100.000 hijos de San Luis, tropas francesas tradicionalistas , para acabar con el gobierno liberal, en la guerra civil de 1936 el mal llamado ejercito nacional gano la guerra por la ayuda de las tropas de la Alemania nazi y de la Italia fascista y no dudo en traer a Espana a tropas moras africanas...El anarquismo argentino proviene del anarquismo español y en menor medida del italiano, paises donde el anarcosindicalismo fue mas fuerte y que fue barrido por la accion conjunta del fascismo y del comunismo
An extraordinary musician and conductor, Maxim Vengerov. Thank you for delivering Mozart with such excellence. Maxim Vengerov, a rare and magnificent musician in his generation and for all time as well.
Watching Vengerov's performance in 'Mozart: Violin Concerto No. 4, Mvmt. 3' is like witnessing a master artist in their element. 🎉 He exudes the same brilliance as legendary figures like Heifetz, Midori, and Hahn. The joy and dedication evident in his playing, a culmination of years of practice and innate talent, is truly captivating. Such a mesmerizing gift to the world of music ❤.
Beethoven's slow movements are amongst the best. The violin concerto, PC #2, 4 & 5, most of his symphonies. Just unbelievable... some of the most beautiful sounds ever put to a sheet of music.
They are both masters of their instrument but the chemistry is not there. I particularly like the warm viola sound from this violist. But, as a duo, there's no sense of intimate dialog nor kindred warmth.. It's more as if they are playing soccer ball and trying to outdo each other. The real problem is that they have a superego mind but don't know it.
It’s beyond words this music and immediately shows us another side to the depth of Mozart. At least, the ability to express something that perhaps is an emotion we had felt or knew the possibility of its existence. Love, or the failure of love. There’s few times we will witness the manifestation of it in art in a similar way and that is why Mozart holds his place in our history.
Your comment is so touching, and this is music, composed by a shining genius, is so utterly lovely and beautiful. And I believe that you would even more enjoy this version: * Mozart - Sinfonia conertante - Oistrakh/Oistrakh/Vienna (incontrario motu). In my opinion the very best one; David Oistrakh on alto, also conducting the orchestra, and his son Igor on violin. Especially this Andante is special and unlike all others. For instance: the hesitating thoughtfulness, giving time for the players to make each and every note meaningful. David Oistrakh's tone is warm, tender and so comforting. What more: in the orchestras three fortissimos he accentuates the violins, leaving cellos and bass to a lesser role. This results in majestetic, powerful and unbroken phrases. Although Maxim Vengerov is an expert on Mozart, this version with him is only fine (not great) and played with energy, also by the alto soloist. Somehow I don't really like his sudden changes into pianissimos, it's creating restlessness. I believe that Mozart had intended the Andante to have the profound peace like in the Oistrakh-version, where David Oistrakh saves the energy for the glorious first and third parts. The whole concerto is one of my absolute favourites, and played with humanity and a warm heart. As the Vengerov-version ends before the cadence and the orchestra's finale, it leaves me wondering how they sound.
