Hello there, I re wrapped my set of gen 3... but I think I made a mistake... when I removed the old felt, I cut both layers... making the new kit the 1st and 2nd layer... does that would affect in some way my mallets??? Thanks
I’ve been looking for a video where somone shows how to tune it the timpani visually rather than just explaining it so thank you so much, this is very helpful!!!!
Do you incorporate humming the desired pitch (while tuning) "into" (just above) the drum head? This is silent and can be heard by the timpanist in most situations.
Great video! But I just have one question! Why is not good practice to get the note from meldoic instruments? We usually hit the note, sing it, then tune, is this not all swell doings?
I loved this video. But I can't save it, cause you configured as "child contend" ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-7ZVlijDz5Ug.html As a composer, I'd love to see something like that with the notation of each movement.
All good info… but…. An additional concept to NOT MISS… Ultimately when playing with an orchestra the tympanist should be also focused on either the lowest brass or the lowest strings…. And TUNE TO THEM… your fork, your gauges, your technique don’t matter if your not in tune with the orchestra. I had an exceptional “tympani pitch training boot camp” … I was also a full time piano tuner . So yes… I was ( not talented) but certainly always “training my ear”… I remember THE MILLISECOND… when I realized that I was “ getting it”… I was playing with an orchestra in Washington DC… NOPE … not the National…. ( I don’t even remember if it was a concert or a rehearsal)… but.. During a piece…. The low brass, the low strings and I were all “ SUPPOSED” to be playing a longish pitch in unison…. The brass section was in tune with each other… and the low stings were in tune with each other….. BUT THEY WERE NOT IN TUNE WITH EACH OTHER…. WAAAAAY off…. I remember looking up at the conductor with a “ NOW WHAT !,!??” When you can hear “ inside the sections”… and can get a sense of TUNING TO THEM…you’re on your way. On your time off…. Pick up a guitar or bass and practice tuning it…. Hearing “ tuning” from different perspectives may help some see and hear their own instruments more clearly. PLEASE DO NOT….. DO NOT…try to tune a local church or school piano as ear training practice… There are a ton of variables to understand when tuning pianos… Including NONE of the pitch intervals are actually “ perfectly in tune” and even the octaves are larger spread than “ mathematically “ pure octaves. ( play middle A440 and then play the A two and three octaves higher… if upper octaves sound sharp… you’re not wrong…THEY ARE) also… the piano strings must “ slide across” the various bearing edges ( the bridge, capo and other pressure point areas…) AND the tuning pins themselves twist and bend…. it take a LOT of experience to both tune to the right pitch AND stabilize all of the “ mechanical issues”…. Steinway are one of the hardest to stabilize…. Yamahas are one of the easiest to hear…. Without supervision please do not….. try this on your own… I was almost fired when I tuned a concert piano at a college earlier in the day… and then I got a call back for the terrible tuning…I rushed back to the piano… and I was surprised at how badly it sounded….. I eventually put subtle info together and learned that one of the students had some tuning tools…. Frankly my tunings were not THE best but they were fine… and they WERE more stable…they stayed where Input them.. SOMEBODY was practicing … and I almost got fired….
Muito obrigado por passar informações de tanta sabedoria e qualidade. Muita humildade em sua parte em compartilhar seus conhecimentos em um área que quem sabe não gosta de compartilhar. Muito obrigado 😁✌🏼
12:20 awesome pedelling technique :-D I never knew this was possible! (But please don't tell *too* may composers about this ;-) To me, the character of the timp comes from playing a fixed set of pitches - and then another, not jumping around....
Hi Tim, I'd like to ask how tall is your stool? it seems comfy. What I've got is 70cm high the timpani hoop is equal to my waist, sometimes I hit the rim when rolling... need some suggestions thanks
A question about the sit vs stand for playing. While sitting is preferable, I am only 5'6" and have found it difficult to comfortably reach the pedals and have good hand posture at the same time. I have been playing for a long time and have adapted but any suggestions would be appreciated. The pedals are not the clutch type, rather common Ludwig type.
Pitch is relative. You could be hearing the pitch one way while your neighbor might hear it another way. Also the "perceived" fundamental pitch on a timpani is tough to hear. The amount of overtones from a timpani note is greater than other instruments in the orchestra making that fundamental harder to pinpoint. Also just because someone has "perfect pitch" doesn't mean he/she is playing every note in tune.
