RU-vid n'est pas fichu de proposer un seul documentaire en langue française sur ce peintre Joan Miro. Peut-être sont-ils disponible en français, mais en Angleterre. C'est se foutre du monde francophone en France.
Peppiatt stated: "I didn't dare go and knock." But why not? Why couldn't Peppiatt just go and knock on Giacometti's door and talk to him? I was looking at my most recent sculptures and it was obvious thatt hey were far superior to the scupltures of Giacomewtti which are so embarrassingly bad, and no one really likes them, but art critics have to pretend to becuase they are obliged to just as they pretend to lioke de Kooning becuase they are obliged to. I am still waiting for Peppiatt to knock on my door but I don't think he dare knock: but it is his loss, not mine
Henri, why didn't you quit while you were ahead, say in 1920. Those uncreative Walmart designs at the end of your career go on your permanent record, you know, and drag your overall grade down to a B+
Don't tell me "Dali is a genius." Show me "Dali was a genius." Others have him labeled as a "nut job with talent" as well. In any case, I don't need anyone to think for me. Thanks for the video
I think that he enabled artists to have more freedom to be creative in their paintings. The use of black is a background colour, however it is also black space as a visual element itself. Kandinsky seemed to move from the representative to the geometric compositions of the more abstract kind. He seemed to think of colour as music and using it to describe colour tones as a top note in a composition. This is most important as it is beyond words. Painting is a language and we use another mode of expression to describe it.
Why do they insist on pronouncing Van Gogh as Van Go … I can’t continue after hearing that as it is so hostile and ignorant it makes me think what else is this person being so horrible about.
Great video, thx for sharing! 39:00 min.... the 1920s art he's more known for. 41:00 Composition 8 (1923) 43:40 min Yellow Red Blue (1925) 47:00 min Hard but Soft (1927) and; On Points (1928) 50:30 Composition 10 (1939) Reciprocal Accord (1952)
WoW!!! My 89th years!!! Can you believe it, my 89th years!!! My interest in (visual) arts ended when I became a jewelry-model maker, by carving cow-horns, and ivory (while in Africa) which later became wax’s models for casting precious metals. Now, in retirement I’ve returned to my first-love, visual art. All praises to the Creat
Words are taken directly from a Taschen Art book about Miro, written by Janis Mink!!! Write your own analysis not someone else's. Or give credit. I did not see anything like that here. Disappointing.
