My channel gives you an opera singer's reactions and technical analysis on pop culture and singing videos, some opinions and facts about the world of classical music, and what life is like as a young artist in the world of opera.
Beautiful singing, but scared for you. Turandot is a career killer if not done in the right age and you are slighlty pressing down to "enlarge" the sound. Hope you're very v e r y careful with this role. All my love, Diva D
Girl I’m scared too! She’s definitely an undertaking (where you might end up needing an undertaker)! I’ve been working it with Stephanie Blythe, Christine Goerke, and Christine Brewer and the main focus has been a nubile, legato sound and text based focus. That said I had a 102.4 degree fever when I sang this- felt terrible, went to my artist residence after the run, and took my temp. I definitely hear things I want to change in this performance, beyond my copout excuse of norovirus... mostly tempo changes to help stay flexible instead of weighting down, more text and unvoiced consonants, and less of those Puccini sobs that I used here to sing over that awful feeling of “oh god I’m going to be sick”
Our Angel is back!!! Your voice is a beautiful expression of romantic elegance, with each aria conveying a profound sense of emotion. Your talent is truly awe-inspiring 😍🥹
@@AngelAzzarraOpera Ooooh..can I throw in the suggestion of a reaction to Cecilia Bartoli! Maybe to this vid called "Rossini 'Canzonetta spagnuola' " ( on xeniamusic channel..the other has a clicking sound through it) or possibly "Cecilia Bartoli sings Che farò senza Euridice?, 2023"..two videos with criminally low views imo
This song hardly showcases his vocal abilities. Watching this is like watching Usain Bolt jogging around a track while a child passes him up. Suggest "Luis Miguel Popurri En Vivo".
I enjoyed your singing. Your timbre is complex in that there is soprano brightness ond mezzo overtones overlaying that,"light,". For me, that allows such full expression of character and the situation they might be reacting to. You sound perfect for an Elsa ( Lohengrin ), Santuzza, Suor Angelica, and other characters dealing with situations of some gravity. The ," light," and darkness that coexists in your timbre allows you to assay these roles- according to my ear.
Wow! Thank you for sharing this. I'm unfortunately not an Opera singer myself and don;t have that kind of talent, however, I do admire you and everyone else who does. I personally gravitate more towards listening to the Big Band Swing type of Jazz and Rock N Roll music as I do Ballroom dancing as my favourite fun, sporting and social activity, as I have mentioned in a comment in another video, and as I was born blind I do this through an awesome organisation calledChaeli Campaign and their sports and recreation club and I'm part of their dancing group which is a bit of a mix of the blind and visually impaired as well as dancers in wheelchairs. If you get the opportunity to visit South Africa one day that will be so awesome because then you can possibly come and visit our group and we can all share our dancing talents with you and have fun together. Sending you lots of love and big warm loving hugs and kisses all the way from Cape Town, South Africa.
I agree with you completely, referring to Dimash as an alien is disrespectful and not complimentary of the tremendous work he has put into singing since he was 5.❤
The 'SUL FIATO'-'ON the BREATHE' IS a key development of the old Italian Technique, very missed of very gifted singers shortening their careers. Pavarotti, Caballe, Sutherland, Horne, Aragull, Carreras, Domingo were among the masters revealing valuable point -- that the breath into mouth & then standing positioning relaxed; that as Maestro Pavarotti said, 'the male diaphragm is supported the back to breath out as if FU<|<ing, & Caballe said "that the female supports diaphragm to breath out 'as pushing out a bowel movement.' To accomplish 'SUL FIATO.' The 'on the breath' has the positioning of no neck strain, no horse grinning, no chords closing. The time given is according to one's already ability born with or to give the voice lesson that study. 'On the breath' projects the floating notes Caballe & Sutherland were very accomplished. Pavarotti born natural and taught this covering into the top, too. 'With the breath' stains a neck, closes the chords, shortens the the notes floating. Check them in teaching...this is what brings that bel canto-beautiful line success. Conductors know their music BUT THESE ARE & WERE the singers who knew the 'SUL FIATO.' Domingo & Mehta & Levine were always taken by Caballe. Pavarotti did not know how to read music, born with a bel canto, as Sutherland & he adored her, and then Horne. Domingo retires from singing this year at 84 but will continue his Maestro baton. Domingo, Carreras, and Pavarotti all agreed that Aragull was the best tenor to them. Aragull had a non-commercial interest & migraine interference, but a wonderful tenor. Caballe's husband Bernabe Marti was a tenor, too. Lovely to see you, Angel Azzurra! Best to you!! You have a beautiful voice!! Thank you.
i watched your reaction vis-a-vis Dimash. I didn`t see reaction to this. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-J4tGr9WhSzU.html what do you think?
I love it! Greetings from Cape Town, South Africa. I'm currently 30 years and was born blind in 1994 and thanks to my love for Ballroom dancing, I gravitate heavily towards listening to Jazz and Rock N Roll music and I think it's really awesome to know that Opera singers do experiment with singing Jazz classics sometimes. Well done on putting this together! Sending you lots of love and big warm hugs.
Cristina Deutekum coloratura gobble is so haunting and I love it, it makes my laugh a bit but it’s so idk interesting, and since her voice is really big and darker than others she goes low like nothing and go ups like nothing ahha I remember when she passed I was listening to her arias.
Hola soy Diana desde Colombia, te recomiendo escuchar a este cantante integrante de FORESTELLA y al grupo, son excelentes ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-RUoe1e1nsnQ.html
Оранжировка музыки руководителем оркестра А-Студио великолепна. Особенно переливы цветов звуков, эти волны восхитительны наложенные на совершенную вокальную технику казахского певца Димаша Кудайбергена. Гармония переливов его голоса и оркестровой аранжировки даёт публике волшебный букет искусства, которая в полной прострации и эмпатии к Димашу. А женщины хорошо чувствуют подарок Мастера вокала касающейся женской любви..
Fine reaction and professional analysis - thank you! This song is from the competition "I´m Singer" in China 1917 - Dimash was then 22. The competition had 14 rounds, he opened it with this song. He was the only foreigner and the first one ever being so young. He won 3 rounds - the first, the second and the sixth - and finally he was no. 2 by 0,08 points (I read somewhere) behind the winner, a 50 year old fabulous professional singer Lin Yilian. Dimash's most famous whistle tone is from his song "Unforgettable Day" at the Gakku Concert later that year 2017. Love from Denmark
I think this is the greatest live performance by a singer ever!!! You can have all the silly criticisms you want, but we should believe you or our ears? I doubt anyone could come close to this. And by the way, the live performance of Dion and Bocelli is not as good. Marcelito is the King.
I don't know anything really about music. But my favorite part of this song, and I have many favorite parts in this song is the ending harmony with everyone singing.
