The tragedy of beauty is its fragility; who wouldn't wish they could hear and see this genius live, but that's not been on the cards since torment took him away from us all decades ago. Such a bittersweet legacy.
Tengo la gracia divina de haberlo visto en 1982 en ARGENTINA, aún hoy lloro de emoción al pensar el maravilloso regalo que me hizo la vida. Bill Evans es mi DIOS.
Anyone who hasn’t seen the movie should make a point of it it will enhance your appreciation of the music. The theme is part of a beautiful score to a great drama. They enhance each other in just the way they should
After years of bowie ,prog , singer song writers and Berlin school electronica i have turned my attention to jazz and this is the first piece i hear . Wow
No sé si os dais cuenta que las tres primeras notas de esta melodía, que se va repitiendo, evocan claramente el nombre de DAVINIA, Da-vi-nia, que es la esclava de quien se enamora Espartaco en la película. Es lo primero que percibí cuando oí la música en la película. Maravillosa melodía, exquisitamente reelaborada por Bill Evans.
I would watch my dad play with that passion. And just wondering what he was thinking while playing. His chords and rythem patterns were awesome. He and Bill are alike. Miss you so much. We donated his piano so others could cherish what we had our whole lives.
Мелодическая тема, как красивая ломанная линия, очаровывает не плавным переходом, как гипербола или синусоида, а резким обрывом и подъёмом,чем и интересна.
Davis wrote "So What." Later he came up with something called "Who Gives a Shit," which was later followed by "Kiss My Ass," "I Really Couldn't Give Goddamn," and "Fuck You and Your Whole Family." Like many egotistical artists known for their creative genius such as James Brown, Ted Nugent, and Sting, Miles Davis never met an audience, or a fan, that he couldn't offend.
