El piano cobra vida y corazón bajo las manos mágicas del Maestro Claudio Arrau.Bravo! Bello Concierto del insuperable BeethovenGracias por trasmitirlo.❤
Claudio Arrau performs Beethoven the way a bird navigates a stormy day-deftly handling the buffeting winds as only one who is naturally-skilled, well-practiced can, creating a ballet in the air, his notes soaring to the heavens.
They cut in between performance …. then they inserted ad in . That makes me feel like crazy and I rather buy CD to enjoy instead of listen to RU-vid ! That is shame !!!!!
Hahaha I have watched others on yt play it and I play it. Some comments directed me to Arrau saying he's best. I've heard him before and didn't really rate him From the opening two chords he totally fluffs up and smudges them. If i were in audience i would immediately demand my money back and hecke him 😂
Gracias Beethoeven.Gracias Bernstein por hacerme tan feliz.Cervantes decia que la música compone los animos descompuestos. Y es cierto.He comenzado a escuchsr esta composicion triste y ahora estoy feliz y vosotros.Muchas gracias!!!
One of the best Beethoven's pianists that ever had. Looking to his hands at the piano you can feel the perfect touch for the sonatas. Calm all the time but the exact fortissimo and pianissimo.He is just perfect. Amazing might be watching him alive.
Two things that Beethoven did better than any other classical composer: He knew how to build excitement with long transitions and he knew how to use Loud vs soft dynamics in a more effective way than any other composer before or since to create excitement and tension. But if people are honest, his musical form got more and more muddled as he got older. He tends to repeat good motifs and melodies too often in a piece or vary them incessantly and beat them into the ground. Also, sometimes that wonderful talent he had for building crescendos and transitions fails him in his intros and endings which at times go on----and onnn---and on---like in this piece. (Case in point: That lonnnnng descending G mixolydian scale at the beginning is almost humorous its so lame.) In fact the whole thing needed editing, which is not true with his other overtures like Egmont and Coriolanus, which are much more focused.
Dussek's influence on Beethoven is absurd, it almost smells like Beethoven's plagiarism on Dussek. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-d4s4qAfs__0.htmlsi=FIXUGAVY_vp3nTbZ
Lo maravilloso es que tenemos la oportunidad de verlo y escucharlo eternamente. Gracias por ese privilegio que le dejamos a las nuevas generaciones! Un coterráneo chileno, Emb. Jack Assael-Misrachi.
Isso é uma das grandes obras de Beethoven e, sem dúvida, uma interpretação MAGISTRAL, os andamentos e as dinâmicas, o ARCO da música em sua totalidade. Isso se faz possível quando o artista (instrumentista) que dedicou a sua vida aos estudos da música, chega nessa idade de total amadurecimento como ser humano. VIVA a ARTE!! VIVA Claudio Arrau!!!!!!!
The first time I heard this performance-Arrau plays Beethoven's Sonata 21--was 1990, when I was a teenager, it was a gift to me. Now, I am all the more enjoyable and much more moved. One of the greatest Beethoven's music! Bravo, Bravo!
Cláudio Arrau foi um grande pianista do Século XX! Não se pode fazer comparações com novos pianistas. Ele aos oitenta anos tocando com toda essa meticulosidade, virtualidade, espontaneidade, e exuberância, seria um desacato alguém o criticar. Vejam Horowitz, ao final de sua vida, é óbvio que já não era o mesmo da sua juventude. ❤
