I leave my camera on during the most important moments. I ALWAYS have the schedule nights before and know what time aprox each moment will be. The schedule always changes so I know to keep the camera on for at least half hour before the moment starts or even an hour. I use a BMPCC 4K rigged (8.8lbs) for weddings. The V Mount battery lasts literally all day and ill plug it in whenever i can or when i eat. Plus i always have a second camera man doing the same just different angles. Ill keep a phone on the camera to record the special moments JUST IN CASE YOU NEVER KNOW. Iphone got 4k so it works as a back up. Im switiching to RED KOMODO X soon but I know ill be able to handle the start up times now because of this.
I’ve been shooting with my OG Komodo for over a year now on weddings. Honestly it was the best decision I made. Yes boot time is “slow” but realistically the batteries last almost 4hrs and are hot swappable. So the boot time really isn’t an issue when you know what time things are going to be happening. Good wedding filmmakers plan and build buffer into the timeline. While on the topic of being “slow” it’s not a bad thing for a camera to slow you down and be more intentional with your shots. It always you to create more than just capture. Also R3D while yes a bit massive for data. Is the best raw codec cause weddings are so run and gun that color temp is always kinda constantly changing. Not having to worry about iso or kelvin is so freeing especially if you have a second shooter who you could easily hand the Komodo to and let them run around. You can save some money on the monitor in the beginning and just use your phone for wireless control. There are a ton of advantages that aren’t necessarily image quality but more so freedom along with flexibility in post so you can focus on story over technicals
Thank you for this comment! I’ve been waiting to see someone who is actually using one. It think it’s a preference to how the person likes shooting and if the image quality is worth it for all the cons. For me the answer is yes! And I also won’t mind slow camera as it fits my shooting style. Can you share some of your work?
I came here because i thought he was going to speak about clothes and fashion, but when he started talking about videography, i realised it was other type of video, but still stayed. then i scroll down and see 37 FKING SUBSCRIBERS? man, that is insanely stupid. you are underrated, but dw, u will go viral, just keep up the consistency. Good luck
I’m just starting, still discovering my content. You are actually pointing out I don’t do a good job with thumbnail and title as it’s not clear it’s a videography topic 😅
Another great video Rumen! I am not sure that REDs are for me. Too expensive (in my perspective). And I feel that my main camera needs to be able to make photos too. Very often I don't have the time to put back the camera, so I can take out another one. It has to happen with a "click" of a butoon for me. :)
According to specs it seems a fine value for money box camera, perfect for low budget projects. I would love to try it and as for nd its not a problem there filters for that. I love box style cameras also the black magic pocket 6k design was so annoying to rig it in a gimbal.
it's an Ok, camera. Not worth 3k, especially considering you may need 2k to 3k in accessories for it. but, if you already own a lens and monitor for it, 1.5 - 2k would be a good price just for the box body...
Was thinking between this and a 10 year old Red Dragon. Decided to go with the red. There is just something about old sensors that resonate within me. I think the older black magics (BmpccOG & 4k) are amazing and still the best bang for your buck. They will have a permanent place in my heart. But the newer ones produce an image that lacks character (in my opinion).
There are apparently Canon BP batteries used by the RED Komodo and Canon C100, etc. and Sony BP-U used by cameras like the Sony FX6. I believe the Pyxis takes the Sony BP-U type. From what I can tell they are not cross compatible at all.
The most overlooked port on the Pyxis is the front USB-C which provides a Display Port feed and power. At the moment the only set-ready accessory designed for the port is the pro EVF from BM. But there are already tons of cheap USB-C monitors (laptop companion screens) on the market which should run off this port, and given a little bit of time, third party makers will have inexpensive camera monitor options available before you know it. Monitors which will not require an external battery or power feed or SDI cabling. To me it’s a brilliant upgrade-except for the fact that BM didn’t offer a suitable monitor at launch. I can’t wait to test this out. It’s possible you could run a 15” monitor off the port no problem. Well obviously rigging and size practicality would be a problem but monitors of the right proportions with more sturdy housings will come along fairly quickly I suspect.
@@rumenalexandrov The sensor isn’t a high-end cinema beast. However, from the testing I’ve seen posted recently, in 17:9 the readout is the same as the $25,000 Burano and at base ISO the DR is very close to the Sony. However, the BM FF sensor is not well suited to low light, so if you shoot documentaries with limited light control then spend the extra money for an FX6.
I have the ff 6k. It needs light. So if you’re noting using lighting or shooting outside during the day you might as well look somewhere else but the image is super clean when the sensor has enough light.
It's not really hate, just an audience not understanding who the camera is for. On a box style camera you really don't need built-in NDs. You have more creative control with external ND options. Blackmagic already said adding internal NDs would have changed the body design, added weight, added cost, changed the body balance, and would have pushed the time to market date out much farther.
Not sure I agree. If the canon C70 can have internal ND with a short flange distance of R-Mount, then technically anyone can do it. If you think internal ND is make or break for a camera is a personal preference, but my assumption is in 18 months we’ll be getting the ‘pro’ version with internal ND
@@benhay2317 Probably. Dan May already hinted at future Pyxis models. I'm going to be using NiSi Athena Primes with drop-in ND blades, so I won't care if they add internal NDs in the future. The important part for me... is getting into the Pyxis ecosystem now. My preorder is in; just hope I actually get one in June!
Yes, definitely! Obviously if you are someone who needs autofocus this one won’t be for you, but if you are mainly filming with manual focus I think it’s amazing!
I personally would be hesitant to recommend this camera for any outdoor events filming which runs into the evening-unless you have a lot of control over the available lighting. On the S35 bodies I thought ISO3200 was usable, but it’s a mess on the full frame sensor. However it’s not all bad news, during the day the native ISO400 means less ND on the camera, and the sensor handles highlights quite well. A daytime wedding? Not a problem. A well lit indoor event? Sure. But if you’re working under a tent after sunset with low mood lighting, you probably want an FX3 or FX6 and that ISO12800 option.
@@waveland thank you! Tbh is the only thing that’s worries me, but I have set my mind to test it (through the 6K FF) by myself. It’s definitely a limitation, but I believe you can make it work as I have worked with sensors not designed for low light.
