I'm an independent filmmaker from Tempe Arizona. I've been at this for a long while now and the idea behind this channel is to create informative content for anyone considering a career in independent cinema.... So for everyone who's parents and guidance counselors couldn't talk them out of it.
I've included a link to my IMDb for anyone interested in checking out my work. Most of my films can be found on popular platforms such as Amazon, Tubi, and many others.
Is fx30 is complete full frame or not, is it ok to shoot features film for 70mm screen I thought it is APSC semi full frame of 33.5mm not 35 full frame… if someone reading and have answers for questions please explain me
@@4kfilmstudioproduction534 APSC or in cinema terms is super 35. About .5 smaller than full frame. For a very long time digital cinema was dominated by APSC/Super 35. Recently manufacturers of high end cinema cameras have started offering large format sensors like the Arri LF, Red Raptor, Sony Venice II. It’s a strange way this came about because professional followed prosumers lead. As for 7OMm that’s IMAX so it would be interesting to see. Resolution may be a bigger factor than sensor size. The more resolution, the higher amount of detail but honestly, I don’t know. Only one thing I will say is that many Hollywood features were shot on cameras like the Alexa Mini that utilized a sensor that wastes full frame and unable to shoot native 4K. Many of these films played in cinemas all over the world without any issues.
In the 10 minutes i paid attention in your video, i found more helpful tips and more logical sound advice then the entire 10 years Film Riot has been on RU-vid. Seriously they make a 45 minute video and not even talk about the important basics. Great video, straight to the point, no useless fluff or ads just pure info and encouragement. Thank YOU!
Thanks. Yeah. GH5 is still a great cam today. In fact very little has changed since 422 10 bit came to mirrorless. I used two Voightlander lenses. 10.5 and 42.5 if I remember correctly.
@@RobertConwaymovieguy From what I understand the Voightlander lenses are amongst the best available for MFT. I have the Leica 25mm and it does a great job too
Dramas aren’t the most popular for film festivals, but they’re easier to make, and they stand the test of time better when it comes to making them realistic or comparable to movies you see in the mainstream. Very few micro-budget genre films will ever come near what audiences expect when looking for a genre film. Yeah they may get into film festivals, but only because there are fewer of them. The audiences who watch those genre films are immediately aware that they aren’t “real” movies though.
My belief is that as long as you don’t represent yourself as a big budget film, it’s not your problem if the audience has the wrong impression. It should be obvious to the average movie goer that films like mine are made far away from the Hollywood system. And if not, and that’s what they’re expecting, they can simply turn it off. It’s not the old days where they shelled out money for a DVD rental or even VOD. Most of my work is available on streamers where watching the film is no additional cost to consumers. So really, no harm no foul if you hate independent film.
To be honest; these days I'm more impressed about what artists can express within the micro budget parameters than the big budget extravaganzas. Sure, a 200 million dollar production ain't a walk in the park either, but indie cinema delivers all the magic. Btw. watched your Eminence Hill because I'm a huge Lance Henriksen (and western) fan. Well done.
I’ve started using it. Except when shooting 4K 120 fps because 800 is way too noisy for that. It’s a decent tool that tried to help provide a better preview of how the footage could look by displaying the dynamic range of the base ISO. Issue is that log shooting with assist LUTS is still never a perfect one to one. I’ve got a lot of custom LUTS I’ve installed that are a better representation of my typical grading style than the stranded Sony but again, it’s not an exact science.
How did you find the the autofocus? Did you have issues with focus hunting? I'd be concerned I wouldn't notice small 'hunts' until after the shoot. Great insight on practical micro-budget use. I'm currently shooting a feature on a bmpcc 4k (using what I have). Thinking of upgrading to the fx30 for my next project - primarily for ibis and autofocus.
The Pocket 4K is a great cam. I still shoot on Blackmagic as well. For image quality and price, they can’t be beat. Micro hunting on the FX30 and other Sony cams can be avoided by stopping down to a 2.8 and holding down (but not pressing the shutter button) if you want to shoot at 2.0 or faster. Holding down (but not pressing) the shutter button will lock the focal length and prevent hunting. Many Sony users change the shutter button to stop and go recording but I don’t as this would run the risk of cutting by accident.
@@RobertConwaymovieguy That’s great to hear there’s a solution for autofocus. I’m more interested in shooting at f2.8 or f4.0 as much as possible. Using the smallrig follow focus for bmpcc. It’s good, but I feel I only get 95% focus
@@simondebrun 95% is pretty damn good. but yeah, If your directing and shooting, pulling your own focus is frustrating. It's hard to watch your actors and worry about focus.
Fx 30 owner here and FX 3 u can get on both 12 bit raw vie hdmi if u didnt know that i use the ninja 5 plus or the shogun 7 inferno way more latitude and room for exposure and color grading
I know. And I have considered it. I have the Blackmagics and a Red. the issue for he is that I wound need to transcode in Final Cut or Premiere. Not the end of the world but another step in my workflow as I'm 99% DaVinci Resolve. With they supported Pro Rez raw. My friend as a Ninja V. I do plan on testing it for sure!
@@junglisttt well it’s hard to say. If you’re going to use the audio handle rather than an external recorder, you will be limited to 24 bit audio in any case. I’m not crazy about audio handle noise floor when compared to external recorders but it’s not terrible. If you only have money for one mic, I would probably have to recommend the shotgun but I hesitate because often the dialogue I end up using in the final mix is from the lavs. This has a lot to do with locations as well. If you’re in environments that are generally quite or where you control the amount of noise, then a good boom will always be the preferred option. For dialog booms, there are many good options. My go to mic for INT. Dialogue is the Schopes CMD 42 as its has the cleanest noise floor of anything I’ve used and captures rich and vibrant vocals. The budget option, and the mic I use for EXT is the Diety S-Mic 2. This is a great mic and punches way above it weight. Cost about 250$ as apposed to the Schopes witch is about 1,200$. Most important though regardless of what you go with, you need to get the mic as close to talent as possible. So a lav on the talents body or a pole just out of frame. Any mounted to camera options aren’t going to be good enough for cinema level dialogue. Hope this helps and good luck with your shoot!
@@RobertConwaymovieguy It's much better. Will be shooting some shorts and budget films in Spain and West Africa. Let me know if you are ever over here. Great helpful content
@@nyambe I just downloaded it. The only question I have is that if a LUT is enabled, it seems to change the IRE value of the false color. I usually send a clean signal to my monitors to avoid this. Gotta see if there's a way to do it. And for sure! I would love to travel there some day. I'd love to see the footage you shoot!
I've shot quite a few short films on my fx30 and plan to shoot my first feature on it as well. Loads of other RU-vidrs have shown that this camera is insanely good and punches way above its price point in terms of the image it delivers. It's not a low light beast but it is much better In low light than most other super 35 cameras. Something to note, the fx30 is insanely usable when shooting at isos beyond 2500. Multiple RU-vidrs have tested it. You do sacrifice some.dynamkc range but you usually don't need much in lowlight situations
It’s a great option. As far as what ISO is usable, that’s really a subjective thing. Personally I try and keep it at 800 for 24 and 100 (or slowest speed) at 120. For sure 2500 on FX30 is better than my Blackmagic at 3200.
Another thing I learned is to learn how to color grade! I've noticed a good grade can transform a film from amateur production to a cinematic professional. You can do so much for free in Davincii Resolve: download, take a crash course - boom not only can you make your stuff a cinematic masterpiece you can now market yourself as a color grader and earn a side income.
my personal opinion....if Sony made an FX30 with 12 MP like what Panasonic did with the GH5S for low light...add one or two stops of dynamic range and nobody would ever buy an FX3 full frame again.
Sick ending. I'm glad you mentioned the color grading as it struck me as a bit wonky. Still looked pretty good. I'm ready to make my own cheapass movie!
Great information. It feels like micro-budget filmmaking is its own little world with some overlapping with traditional filmmaking. I honestly feel like I can DP, Produce, Direct, edit, and score my own micro-budget feature together with a small crew of inexpensive and inexperienced assistants.
You can for sure! It’s a lot of work and the pay is low (if any) on your first one. So it needs to be a labor of love. People ask me if it’s possible to make a film for way less than 100k. Yes. You can. Just keep in mind, if you have something like 10 or 15K, you’ll basically need to be an army of one. You’ll need the cast to be all volunteer and it will be the most exhausting experience you’ve ever had. That said, at the end of the day, you’ll have a feature. Something that is truly your vision. So, I say go for it!
Thanks! Heres where I get all my rings. followfocusgears.com/products/copy-of-seamless-follow-focus-gear-ring-for-rokinon-14mm-f2-8-ed-as-if-umc-pro-red-stripe-lens
Mr. Conway, I am working on my first project. I'm about 80% through the script and have the stupid idea of financing it myself on a super micro-budget. I plan to use Backstage to find actors, but How do I find a location manager, asst. director, PAs, etc...?
Congratulations on making your first film! Depending on your budget what level of crew you can likely get. If you can pay, that’s best. If not, then I would try social media and film schools. People who need the experience
Robert Thank you… your channel is Electric! I’m about to retire in 7 months and pursue my Goal of being a filmmaker. Your channel is an inspiration and a great teaching tool. Keep up the Fantastic content.. Peace ..
Damn, I discovered you because of your videos on microbudget filmmaking! But then I went to your channel and saw the poster for this movie, and I instantly clicked play. I can't wait to see it! i think you got something special.
