Hoy volví. Llevaba quizás semanas intentando recordarlo. Mientras estoy en la micro se me vienen las palabras. Cómo ecos o susurros del fondo de esa yo archivista de mi cabeza. Medio lento para trabajar pero casi siempre efectivo. Hermoso recuerdo ❤❤❤
😊❤ Mike Patton is Incredibly Awesome 🤩 Please Please Mike don’t EVER Leave this World through rough stress it is understood but when you made a gun to your head I was brought to 😭 Tears. You are AMAZING 🤩 AND I can’t wait to see you and your beautiful Familia ❤ Much Love and Many Blessings to You and Family! ❤ Cheers 🥂
alguien sabe como se llama la cancion o el video donde sale un conejo en un bosque y en un momento aparece una mano en el cielo y lo toma,y en la sgte escena aparece saliendo del sombrero de un mago ... lo vi hace anios pero nunca lo pude encontrar saludos
" He was supposed to play a show with his hero, Ennio Morricone, together. Like "master meets admirer". The crazy idea was an idea from the interviewer (I think from their last interview, like "what if I try to organize a concert Mondo Cane + Ennio), then Ennio "accepted" but he didn't know who Mike was. Once he knew, for some reason, he went nuts and tried to kick out Mondo Cane from the concert, he was furious and didn't want them to play in the same show "for artistical reasons". In the end, they were allowed to play (if I'm not wrong) after Ennio's concert, not as an opener anymore, but like at 2.a.m. for the ones who stayed there. Summarizing: a mess. Patton's dream was to meet Ennio Morricone and, of course, he accepted to play with him, but Ennio hated the idea. Patton respects that decision, as it's shown in the interview, but one can read easily between the lines that they were both very disappointed with his attitude and the interviewer is all time trying to apologize Patton for that. In any case, if you watch the interview knowing that, you can realize how gentleman Patton was. He was extremely sad in that moment, but he took it with philosophy and refused to say a bad word about Morricone. "
DOS GRANDES!👏👏👏 La clave para que surga el cine chileno son las "COOPRODUCCIONES", que una productora chilena trabaje con una extranjera y así salgan obras geniales como la miniserie "Héroes invisibles". Y la publicidad, esa es la clave.
Great interview. Brilliant insight into the elusive Mr Patton. Great questions, great topic.. thank you!! I've not commented nor read them for years but wanted to here.✌🏼
" He was supposed to play a show with his hero, Ennio Morricone, together. Like "master meets admirer". The crazy idea was an idea from the interviewer (I think from their last interview, like "what if I try to organize a concert Mondo Cane + Ennio), then Ennio "accepted" but he didn't know who Mike was. Once he knew, for some reason, he went nuts and tried to kick out Mondo Cane from the concert, he was furious and didn't want them to play in the same show "for artistical reasons". In the end, they were allowed to play (if I'm not wrong) after Ennio's concert, not as an opener anymore, but like at 2.a.m. for the ones who stayed there. Summarizing: a mess. Patton's dream was to meet Ennio Morricone and, of course, he accepted to play with him, but Ennio hated the idea. Patton respects that decision, as it's shown in the interview, but one can read easily between the lines that they were both very disappointed with his attitude and the interviewer is all time trying to apologize Patton for that. In any case, if you watch the interview knowing that, you can realize how gentleman Patton was. He was extremely sad in that moment, but he took it with philosophy and refused to say a bad word about Morricone. "
Si algún dia adopto a un hijo/hija/lo que sea, le voy a poner está canción para dormir desde el primaer día, crecerá asociando esa canción con el comfort y la apreciará como tal. Evntualmente cuando pida ir a una pillamada les dire que sí, y cuando vallan pondran está canción, mientras los otros niños tienen pesadillas ellos dormiran placidamente. Quiero tener un niño con la reputación de endiablado
Impresionante este senor. Y para gente como yo que no tiene un enfoque muy cerebral de la musica, sino que la pescara en el centro de las corrientes que la atraviesan (sin quedar atrapado en ellos, pero como el dice, la emocion de un cierto peligro conduce siempre y inspirado!)... el muestra el camino ! Otra gran leccion de esta intervista: el individuo cuenta poco en el proceso artistico, que sobre todo es una mezcla de valentia y potencial. Muchas gracias a todos.
