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Not sure if you’ll respond to this but have you had issues with the XLR latching mechanism? I have had TWO helix’s do the exact same thing with the latching mechanism being shoved into the socket. I’m not sure if I’m explain myself well. Anyways great video
Hey Matt!!! Just found your channel while looking for reviews for this telecaster. Don't know if you remember me, Murray from Ft. Campbell, KY...we served together in the 551st MP Co. Hope all's well and I look forward to checking out your channel and website. Talk to you soon.
There ain't a bad version of this song this was excellent all players should have their own take of all songs otherwise play the record a close up of the diminished chords would have helped but I'll work it out good job
My issue isn't how much he talks, it's the lack of explanation about the non-standard chord playing. He explains the chords you need, then plays a G with a hammer-on C which he hadn't mentioned at the start, then a C with elements of D but doesn't explain that at all. Then "you just walk down" apparently. And in the 'slow bit' you have figure it out for yourself.
Very good! I liked it very much. And yes I believe James Burton played it this way. But what about the single version with Reggie Young? That intro sounds so pure.
I have to say, after receiving mine, I was very dissatisfied with it. I immediately returned it. I don't think the noiseless pickup technology is there yet... the guitar sounds neutered compared to a true Tele. For some reason, the review videos are overwhelmingly positive, as well as most of the comments I've read. I returned my American Professional 2 to upgrade to the Ultra, thinking it would be the right decision -- my Pro 2 was having some weird grounding issue that I felt was not acceptable for a brand new instrument, so that pushed me over the edge to give the Ultra a whirl. In my opinion, the Pro 2 is a much better guitar. I find the neck on the Ultra to be too thin and I personally don't like the compound radius. The neck on the Pro 2 was heavenly, it felt so good in my hand. I just reordered it because I loved it so much. As for sound, I found the bridge pickup on the Ultra to lack the Tele growl and twang, and the neck pickup didn't have the beautiful, full sound that it should. Again, these review videos are misleading with their audio -- you really need to hear it out of your amp yourself. And, while the new body contours are comfy, I don't find them to make the guitar magically more playable, and I think the lighter body (due to less material) has a negative impact on the tone. I'm also convinced that the traditional 3-saddle Tele bridge is a huge part of that classic Tele sound. I know that this is simply my opinion and that many do love this guitar, but I wish I had paid more attention to the few negative reviews that there were out there. Also, the metal pick-guard (I got the Texas Tea color) is like nails on a chalkboard when you scrape it the wrong way with with your pick or fingernail. 100% no! The Pro 2 does have a slightly sculpted neck heel, which I love compared to the joint on my traditionally contoured Strat, but other than that, the body design is the classic tele shape. The pickups of the Ultra can't hold a candle to the Pro 2, and I would say the same for the neck. Also, you still get the additional "Series Mode" option when in the middle pickup selection position (push-push toggle on the tone knob). For the Ultra, you're essentially paying an extra $450 dollars for a guitar that doesn't sound as good, and has some flashier hardware and body designs that a lot of us Fender fanatics are not big fans of. If you're looking to spend this type of money on a guitar, I would highly recommend that you save yourself a few bucks and either get the Pro 2 model (you won't be disappointed) or go Custom Shop and design your own guitar, assembled by their top tier builders.
Very interesting perspective, thanks. I've spent a few idle moments thinking about this as well. This Ultra manifestation is hardly "revolutionary" - maybe for Fender, a company deeply entrenched in tradition. I did a quick price comparison. If I laid out my favorite specs (granted people may or may not agree with my choices, but they represent a point of view, not a universal truth). Where do I begin? Well, how about the body? Well, a roasted alder or roasted swamp ash body from USACG is around $200, unfinished. You can get it routed to your heart's desire. A gorgeous neck in roasted maple, with a roasted bird's-eye maple fingerboard, around 400 bucks - routed for your favorite hardware - Earvana nut, auto-trim tuners, your choice of frets (6100, in my case), your selection of compound radius (I have two 10-"16" USACG strats that I've had for 25 or so years, and love them to death - better than any Fender you can compare them to). Right now, I'm leaning towards 10"-14" (it's closer to the nut width to heel width ratio). Plus, the USACG fatback is to die for - seriously. Oh, did I mention graphite rods embedded in the neck, if you want? OK..what's next? Oh yeah, electronics - there's a world of stuff out there! You can even get EMGs pre-wired, although now you can choose from Fralin, Suhr, Lollar....the list goes on and on! That's around 200 bucks, give or take. Figure about 500 bucks for finishing (with woods like these I would go for natural satin). You've got roughly 1300 bucks in components. And, if you're lucky enough to have access to a brilliant luthier (who built my other two USACGs), assembly, Plekking, a meticulous final setup tailored for me - I'm looking at about maybe two grand. For a guitar that is likely to be far superior to the Fender in every way imaginable. In fact, I would put up one of my USACG strats against a Suhr any day - nothing against Suhr, I've owned one and they're awesome. For the money that Fender wants, there are way too many compromises for me....FWIW.
I've owned a pro for years and they are great guitars. I agree with what you are saying about the ultra, especially the noiseless pups lacking authentic tele tone, but I still really dig them and think one would add variety to my collection when I want to switch it up a bit.
What a terrible video, You aint got a f****** clue on the correct chords, and the positions they're played in, watch Mr. Burton's video, that's how it's played
Nice job, glad to see someone doing it right. Just a question: You said the guitar is by James Burton, but the credits for the song on Wikipedia say the guitars are by Elvis and Reggie Young. Is James Burton one of Elvis’s live band guitarists and Young was on the original track?
