Me parece genial el conjunto de orquesta y dirección Recuerdo cuando Alfonso estaba en Paris Para el tema de dirección de orquesta Y se hizo una batuta con la rama de un árbol Felicidades Siempre has sido para mi un gran genio Soy Pepe D.
8:14 Surprised to see him take part of this difficult thirds run with two hands. I so far resisted this urge but having seen Brendel do it, and having read that Liszt spoke in favor of playing things the easiest possible way, it seems the right thing to do. It will save a lot of effort.
Un maestro del violín es Cho-Liang Lin, su técnica y sonido recuerdan a Heifetz. Debería ser más conocido, creo que ha sido subestimado por la industria musical, quizás por ser oriental. Lo seguiremos escuchando con mucho placer. 🎻 👏🏻
38:27 this bit of trumpet is my favorite bit in the whole symphony, ironically in the two concerts I attended(one of them being nyphil) and some other recordings this bit is played with a mute, which is far from prominent compared to Bernstein version. It is so satisfying seeing him enjoying this motif and giving it such vitality🎉🎉
Also the build up is really great, with the tension and expectations. I used to play only this bit with the recording and felt so motivated starting my practice, I guess I am an expert in this particular trumpet entry lol😅
I carried this symphony in my mind nearly constantly for years, but under the baton on Leonard Bernstein, so his interpretation was the only one I knew. Sometime in the late 70s Copland came to Eastman and conducted it. His tempos were generally too slow and it wrenched my whole body having to sit there and listen to this "misinterpretation". I wanted to scream out, "faster, Aaron, faster!!"
Querido primito estas en cielo, recuerdo cuando niño enviavas a la yaya los avances que tenias en el piano. Que dios te tenga a su lado ARANGO MARTA SUSANA FIOL HUGHET
Con su técnica de respuesta a las entrevistas es como si dijera: no me interesa lo que usted quiera saber de mí o de la música, yo solo quiero aprovechar la ocasión para transmitir mis ideas. Era una falta de respeto por el interlocutor semejante a la que Don Juan ejercía con Carlos Castaneda: actuaba como un gurú, y se lo perdonábamos, porque al fin y al cabo nos compensaba.
Vladimir Asckenazy - GREAT😂 - in late 70's I heard him in Turku, Finland. In the middle of the concert, I just had to whisper to the person sitting next to me: Like pearls dripping!!! Each note so clear... Now I noticed that he had studied for Lev Oborin - one of my favourite pianists; wonderful performances with David Oistrakh in Beethoven's Spring and Kreutzer sonatas.... In this piano concerto, especially the middle part, I would, however, like a better "breathing", occasionally some air between the notes (ref. Paul Badura-Skoda's performance...
First time I hear about this guy Copland. Not bad. I've just got interested in exotic (non European) concert music. However, to be honest, if this buddy was European, he would certainly be second or third line author. I mean, it is interesting, but I cannot imagine it to be in the repertoire of any European orchestra, not even in towns. In fact, at right, in the column of suggestions, I see just only other two performances: one by the NDR Elbphilharmonie Orchester (NOT a mmmmm...REALLY GREAT ONE, precisely, LOL) and just because it is inserted as a special feature in a festival, with a miscellaneous program. The other one, WOW, is the MALAYSIAN PHILARMONIC!!!!!!!!!!!!!!!!! WOW!!!!!!!!!!!!!!! LOL, LOL, LOL, LOL. The other suggestions, to be serious include MAHLER, DVOŘÁK, РИМСКИЙ-КОРСАКОВ, MAHLER (AGAIN), BEETHOVEN, MAHLER (AGAIN), DVOŘÁK, MENDELSSOHN, DVOŘÁK (again), DVOŘÁK (again), CARL ORFF, ЧАЙКОВСКИЙ, ЧАЙКОВСКИЙ (again), WAGNER, RAVEL, BEETHOVEN (again), SIBELIUS, DEBUSSY, РИМСКИЙ-КОРСАКОВ (again), BEETHOVEN (again), СТРАВИНСКИЙ, Leonard Bernstein itself (well, I suppose it's logic, even if is a rather mediocre as a composer being one of the great directors of the XXth Century), MOZART, and BEETHOVEN, ЧАЙКОВСКИЙ (a zillion times), BACH (4 times) ONLY FOR OPTIMISTIC U.S.A.-people. "U.s.a. music, EVER OPTIMISTIC, if some"., as that lesser group of composers are usually derided here in Europe. ONLY FOR DOMESTIC CONSUMPTION, OR IF SOMEONE IN THE REST OF THE WORLD WAKES UP IN THE MOOD TO EXPLORE PECULIAR, OBSCURE, LESSER MUSIC, NOT REALLY WORTH OF FURTHER INTEREST, YOU WILL END SOON HATING FANFARES. Frankly, I prefer ШОСТАКОВИЧ. I assure to everyone there is nothing comparable to his 7th Symphony " LENINGRAD". If you're really are into XXth Century music, you are wasting time at listening that fellow COP-LAND. Forget it and try REALLY GREAT MUSIC. And I also strongly suggest French Baroque. U.s.a. dindn't get any Baroque, mainly because It didn't existed, LOL, LOL, LOL, LOL. Believe me only European music can satisfy a deeply sensitive soul. This U.s.a. thing is not in any European Ochestre repertoire, and I doubt about such u.s.a. composers get one of their works performed more than twice if any per year. They don't deserve it. It's a waste of time and money. The World doesn't need them.
Todavía tengo en la memoria esa actuación. Un joven provocando un teclado y una caja de resonancia contestando con un sonido maravilloso. Increible sensación. Gracias Nebolsin
Sublime música. Si q da alegría y placer escucharla. Todo nuestro agradecimiento al gran Joaquín Rodrigo. Dios lo tendrá en su Gloria. 👏👏👏👏👏👏👏🙏🙏🙏🙏🙏🙏❤️❤️❤️❤️❤️❤️❤️🇪🇸🇪🇸🇪🇸🇪🇸🇪🇸🇪🇸🇪🇸🙏
Heute gehört im Pasticco ö1 Radio.....hat mich sooo berührt...gleich danach gesucht ....von Herzen habt Dank für dieses Geschenk❤😂❤❤ Grüsse aus Österreich
Thank you! I have this recording, but I still enjoyed listening to it. Perhaps you know something about the existence of records SCHUMANN: Symphonic Studies, Op.13 MUSSORGSKY: Pictures at an Exhibition PROKOFIEV: Pieces DEBUSSY: Images 25/02/1969 - Madrid, Teatro Real - Live - (PT), 27/02/1969 - Barcelona. Placio de la musica. HAYDN: Sonata No.56 in D, Hob.XVI:42 PROKOFIEV: Piano Sonata No.2 in d, Op.14 RAVEL: Valses nobles et sentimentales, Miroirs 17/02/1995 - Madrid. Auditorio Nacional de Musica.
Me impresiona sobre manera la genialidad de Joaquin Rodrigo, cómo la música en él, sin el sentido de la visión pudo brotar mas por abstracción que por la imagen o recuerdos los cuales no pudo grabar debido a lo temprano de su limitación. Pude ver y oir en escena por primera vez el Concierto de Aranjuez en los años 80 cuando nos lo trajo en sus manos mágicas nuestro Insigne ALIRIO DÍAZ(escribo desde la RB de Venezuela) discipulo dilecto de Don Andrés Segovia, demás esta decir lo grandilocuente de su interpretación plena de propiedad, por ello en nuestra patria los sucesores de Alirio Díaz y también de Rodrigo Riera han dejado muy bien plasmado el espiritu de esta tan laureada obra de Don Joaquin Rodrigo, ellos la estudiaron con los primeros escuchas, intérpretes y analistas musicales de los años 50, Regino Sainz de la Maza y Andrés Segovia entre otros. El Concierto de Aranjuez se estrenó en 1940 en Barcelona-España. Muchas gracias por el documental, es maravilloso.
