Well, some of these creative agencies aren’t fans of eurovision so they don’t get the feel that we fans do. So i deffenatly agree that fan made are much better but just have to enjoy the show
If you notice, the pattern of the sounds, the beats and the boom effects are almost identical to the JESC of 2021 in Paris. Probably they just copied half the 2021 edition of the sound.
@@idkwhattoputhere75 Personally, they are very creative, but also because they are directed for a kids' show, they are very childish - many colours, shines etc. They are even better, the ones of JESC 2021 and 2023, than many graphics of the ESC of recent years. Just the French TV makes good conests we should admit.
@@idkwhattoputhere75 What I have noticed is that these 2021 and 2023 editions, made by the French were far better than recent editions of the adult contest, such as 2022 and 2023, for example, logo, music stage, camera, graphics, the effects. Almost everything was fixed just more smoothly, effectively, and impressively, which is not so much good towards the adult ESC which is supposed to be more advanced because it is more 'serious' and more 'canonical' than the Junior one. For me it is a shame for the adult contest to be not that good today as it was years before such as in 2013, which was the first contest I watched. I just miss the old good years, everything was more sincere and seriously organised than now. I hope Sweden holds a decent competition this year, as I would like to relive the old Eurovision spirit. Hope you agree on my words my friend.
