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A great example of weaving a good story into the performance of a magic trick. The tricks, in and of themselves, without the story, are fairly pointless and meaningless as far as to why would I do such trivial things if I could do real magic? The story adds meaning. That's a performing magician's real task... to add meaning and entertainment. Great job!
Almost everyone presents this wrong (including the presentation above). Here are some pro tips on the flower production from foulard shared by veteran magician Dick Oslund: The effect you want to give is the sudden magical appearance of bouquets of flowers in the magician's hand, not the magician reaching under and yanking bunches of flowers from the foulard. Do not reach under the cloth and pull the flowers down from the cloth because it telegraphs where the load comes from. The more convincing way to produce the flowers is to LIFT the cloth up and away from the flowers. The hand holding the cloth does all the movement. (The hand grasping the flower bouquet does not move). Grasp the bouquet and RAISE the foulard, uncovering the bouquet which has magically appeared. (The effect should be that the bouquet is "unveiled".) Too many magicians hold the foulard, then they reach underneath to yank the flowers down from the cloth, but don't do that ... Instead, grasp the end of the bouquet and LIFT THE FOULARD UP, unveiling the bouquet. The rhythm or sequence of the move is: cover your empty hand with a cloth, then immediately lift the cloth away revealing and displaying a bouquet of flowers. The hand holding the flowers does not move. (The hand holding the cloth is the hand that moves). Done this way, the appearance is more magical.
