hi! i am tina guitar player, teacher, and youtuber from berlin. ☕ if you like to nerd out about jazz guitar in particular and music in general you can subscribe for weekly videos.
El algoritmo de YT me trajo aquí y me encantó tu forma tan natural de tratar este tema. Tienes un nuevo suscriptor y buscaré tus videos. Mando mis respetos y saludos desde Veracruz, México.
So many good things but wow, such a good idea to practice straight 8ths no articulation. Great way to boil it down to essentials, just focus on the notes and making lines.
Very nice…and interestingly with c major scale adding the G# note means you can make what is an E min/min7 into an E dominant 7 arpeggio or chord, an A min maj7 arpeggio or chord, a C augmented chord a Dm7b5, an Fm6 (IV chord)
Fantastic book. I found it life changing connecting the structure of common chords with those heard in more interesting and complicated harmony. Drop 2's are more familiar to folks these days perhaps, but regardless, that one opened doors for me and presumably many others. Cheers, D
This might be obvious to Tina, but the dissonant voicings serve as a template for finding other chord qualities through alteration. If one needs an actual major chord voicing in context, one might take that dissonant voicing and change the major seventh into a sixth (A on the lowest string), or replace the root with a ninth (D above the high root). Understanding the construction and getting the shapes under hand opens up a universe of possibilities with a few simple ingredients.
I have the Ibanez JSM 10 and it is amazing! Scofield started playing AS200 at begining of his career, then, when got success, he created his own custom guitar based in old AS200. My favorite teacher, Chema Saiz, owns one of that old vintage As200. The sound is insane!
Your content is fantastic & informative but your channel has very few subscribers and views. I noticed that you regularly upload videos on RU-vid. I checked your channel and found some problems. Your videos are not SEO optimized, videos are not using powerful tags, channels are not properly optimized and Channel tags are not used. As a result, your video doesn't reach the audience.......
Your content is fantastic & informative but your channel has very few subscribers and views. I checked your channel and found some problems. Your videos are not SEO optimized, videos are not using powerful tags, channels are not properly optimized and Channel tags are not used. As a result, your video doesn't reach the audience...
your vids are good but you maybe want to publish the full segments. clipping info is frustrating to some audiences. hollywood film editing, in my opinion, has no place in instruction videos. all or nothing. so if the info is restricted i vote nothing.
I'm confused about the way you're playing the Dm7 with the barre at the 5th fret. Isn't that a Dm11? My background is not in jazz, so maybe I am missing something.
Nice lesson for jazz beginners. I like the idea of "liquid chord progressions." Nice detailed explanation; I also like hearing the main notes as its own descending melody line.
I think you should realy check out the IBANEZ GB10. It is so confortable. I have many high end Ibanez Jazz boxes; but if the house would be on fire; the GB 10 is the one I go for. I am talking about the Japenese models. Not the GB10 SE. Mine is a blond one from 1980. I bought it together with my Polytone mini brute. Absolute brillant guitar.
I am still getting some basic fundamentals together, so I am not hardly ready to get to some of your more advanced theoritical information, but speaking of John Scofield, his solo on "That's Right" the tune he wrote for Mlies' album 'Decoy" simply too much. Takes me all the way back to my pentecostal church roots!!!!
I noticed that too, the 6th is starting to become a favorite way to break up a phrase I have also been experimenting recently with sequencing 6th patterns as a means of outlining the harmony, a very different kind of sound and approach to improvisation, its fun to mix that sound in with a straight melodic approach, creating motifs with a hybrid of approaches like this keeps things interesting another example of this hybrid idea is after you play an arpeggio turn it into a blues phrase coltrane said something like mccoy tyner can make anything wierd work so perfectly - i feel like turning something into a blues phrase is a good way to make arpeggions, diminished and chromatic outside ideas work and sound normal no matter how strange What am I working on ? Playing over modal jam tracks (milestones, so what, impressions, miles mode, maiden voyage) - also decided to focus on there will never be another you (split kick has the same changes) until I feel like I can play it well, I would rather play 1 thing well then 10 that I don't play well, I wonder if this will ever happen Sometimes I read through the charlie parker for guitar book by Mark Voelpel - (guitar tab), I also have the coltrane omnibook but reading notes is such a chore for me because im probably dyslexic What I would like to see from tina - pick your favorite ideas and show us how they work over changes much like this video - ythe idea is to try to find ideas you didnt get from somewhere else that you came up with on your own, I have a few ideas I came up with, everyone should try to find ideas that didnt come from someone else, try to develop this into a unique personal language - I think the hardest thing to do in music is find your own voice
At around 6:40 you asked 'what's going on there?' I'm not sure, but I think it's like a turnaround within a turnaround. He's taken a turnaround from classical guitar and inserted it within a jazz turnaround, that's my guess.
Maybe at around 10:30 when you talk about the three strings that keep ringing giving an Em 'feel' - that is a kind of 'signature'. Then Emily (Em) is constantly ringing in the ears, like a 'haunting'. A bit like when Bach used the notes BACH in his pieces, or Shostakovich used the notes DSCH as a motif. So Emily, the subject of the song, is right at the heart of the piece - her name is written through it.
i had the fortunate experience of years ago, being around quite a few musicians who came to music from the background of the streets. In later years, I came to hear guys who's primary focus was Jazz, refer to these guys as 'Ear Players" Funny, when I was playing the trumpet and although I learned many things about playing a brass instrument horrible wrong( on my own) I did manage to get decent enough to play in some local Rhythm & Blues bands. I bumped into and played with quite a few of these "Ear Players" and they would without exception, always frown at me needing to write things down on manuscript paper. Here's the deal. I was nosy enough to notice that they, to a man, did exactly what you suggest with transcribing, transposing, and playing by heart. Long story, a little shorter, I am a true beleiver in the simplicity of your approach. Not that I am going to throw out the library of music books that I've accumalated, but I know that your suggested approach is very significant in helping me find or determine that balance between the purely academic and the simply practical. My mentor and teacher( Muhal Richard Abrams), with whom I studied, composition and orchestration, though now deceased, would be very pleased to know that I finally am getting his most relevant message to me. Frequently, he would say to me, If I could just get you to focus on "Basics" Right on Ms Jackel !!!
Beautiful! love the simplicity of your approach. I already owned three transcribing software programs( "12 Keys", "Transcribe", ""Song Surgeon" As an ex trumpet player, I found myself stalled. Why? My background experience with music by way of a single line instrument and now learning a polyphonic instrument, has come with the challenge of , how do I figure out a phrase, when I am hearing multiple notes at once. You get the picture. so I bought this "Guitar Pro" transcribing app that 's supposed to be specifically for guitar. Well, its very involved, so I reached out to the support team to get some helpf and I am waiting to hear back. Fast forward, this AnyTune Pro that you suggest us students using, can I load a tune onto it from off of one of CDs or do I have to purchase a single tune off Itunes or Amazon music? Please help with an answer, I am going broke!
