Noa Wildschut, it's really starting to be something, I've heard her several times before, but what she's performing here is of very good quality and high sensitivity, I can really feel her liveliness in her playing, I'm super positively surprised ...Thanks.
POR UNA CABEZA, TANGO LINDO, AUTORES ALFREDO LE PERA E CARLOS GARDEL, GRANDE OBRA MUSICAL, LINDA INTERPRETAÇÃO E APRESENTAÇÃO. PARABENIZO. ABRAÇOS CORDIAIS.
Heerlijk om weer terug te zien. Zo'n heerlijke tournee met het onovertroffen JON. Groot compliment aan de Suzanne en Nigel voor het filmen en editen. Top!!
That is partially because most, if not all the artists have heard and known this song from a very young age. Reason for this is because the song is used in a popular attraction that is in the famous theme park called the Efteling. Pretty much every kid in the Netherlands has been to this park once or several times in their younger days. Sad thing is that they are going to demolish this specific Spookslot as we call it very soon. This video will be receiving a lot of hits in the near future.
@@Killzilla6 Yes. And what made the pain a bit less is that they will also be using the same music for parts of it. So we'll be making new memories there :-)
I totally disagree with you. I find the first violon quite not good, she fails to capture the malice of the theme. She should produce a more strident sound. She also hit wrong note on an occasion.
When an 18 years old lady violinist is able to create in your imagination a dance of notes that makes you float then you are in front of a maestro player.
It is a very famous Compose.But,there's imagination on my mind,seemingly resonance with Nederland Nature Melody.Moments that waves,one spike up after another.Then quietly,unseeing water move on Canals.A 'real coincident' is on expressing.Amazing.
I think you are getting a bit over excited there. She is moderately good and plays this well, but I prefer her compatriot Isabelle van Keulen. You could compare her with Augustin Hadelich , Janine Jansen, James Ehnes, Julia Fischer, Maxim Vengerov or Hilary Hahn and then reconsider your statement.
She's quite good indeed, but calling her the finest seems like a bit of a stretch. In my estimation Kerson Leong is hands-down (one of) the finest violinist(s) alive today.
Très bel enregistrement d'une œuvre riche par sa musicalité originale aux accents souvent romantiques. Le chef d'orchestre et la violoniste ont su rendre la touche originale souvent classique de Saint-Saëns avec un ensemble bien enlevé. Un régal d'écoute.
This is by far the best one of the three violinb concertos by Camille saint Sans. the two first ones suffered from architectural defaults, which is quite amazing from such a composer witha perfect as academic style, which deprieves him sometimes from expressive and personal tones and harmonic subtleties, but make ususally his works highly satisfactory in terms of architecture and equilibrium. here, the form is perfectly balanced, as well as the relationship between solosist and orchestra (as in Mendelssohn, Bruch, Sibeluis and many others, the soloist enters here from the beginning over subtle vibratos of the strings). The lyric tone is quite original; as usually in Saint-Saêns' works, it avoids romantic exprssivemenss, but also academic icy tone. This is a fully succsessful concerto, perhaps the best one of the XIXth century French school (Spanish symphony of Lalo is clearly addressing virtuoso features, and the poem by Chausson isq indseed s a splendid work, but should not be considered as a concerto. The French XXth century music will have to wait for Jolivet and Dutilleux to retrieve excellence in masterworks writing in the domain of violin concertos.
i happen to think the concerto #1 A Major is beautiful. it doesn't "suffer" from anything. yeah, it's not conventional concerto form, but so what? it's got some interesting technical challenges, and exquisite, charming melodies. audiences would love it if anyone bothered to play it.
@@chuckcornelius194 Dear friend. There are great ideas in the A major concerto, but it clearly suffers from lack of balance in its architectural structure, which is generally not the case w<ith Saint-Saens works in general. Some scores as the third symphony or the fourth concerto for piano are even highly imaginative in that respect. Saint-Saens himself acknowledged this unbalanced architecture of the Concerto.
@@gerardbegni2806 would it matter if he didn't call it a "concerto"? really, it's not much longer than the Havanaise or Introduction & Rondo Capriccioso. anyway, i don't think anyone listens to the A Major "concerto" and thinks "gee, that's pretty but it's so unbalanced". aesthetic feelings are separate from academic.
What a musicality, richness in melodious and gently touched chords, fully expressive, grandiose virtuosity! Where were you hiding so far? You can't stay in the second line. Your place is up in the stars! Go ahead! Catch your Fortune and ride on the tones of classics! Bravo!
Qué excelente expresividad musical del director y de la orquesta bien conjuntados. Gran empuje y calidad del grupo, fundamentalmente joven. Mucho potencial. Enhorabuena. Con afecto.
Vous avez parfaitement raison. ceci dit pour la tenue vestimentaire, le protocole tend à se détendre (y compris avec les décolletés profonds de la plantureuse Khatia Buniatishvili) et de plus ici nous sommes aux Pays Bas, où depuis longtemps le style vestimentaire "décontracté chic" des solistes et chefs d'orchestre est quasiment devenu une nouvelle tradition dans un pays à la fois attaché aux libertés et d'un haut niveau de vie. J'ai pu le vérifier très récemment lors de qutre concerts à Amstradam, dans la même salle où est enregistré ce concerto.
