This video was shot at the Wiltern Theater in L.A. But right now, I'm in Germany teaching my annual Jazz Drumming Intensive near Frankfurt. Where are you?
Haha, you are correct! I actually played right handed traditional grip in high school marching band (before I learned how to do it on the left side), and that configuration was required in order to play the base in this manner.
I was inspired by you to play with the traditional grip, you make it seem so fun. Thanks for inspiring us and bringing the retro swing to our life’s Mr. Glass. 🙏
Thanks so much for the kind words. If you'd like to join my blog, which contains tons of great drumming info and get a free copy of my latest album, please visit: www.danielglass.com/blog
Wow! The whole group sounds great. So balanced. Daniel, your drum sound is so present and crisp. I’m jealous. This is great stuff. So relaxed but the groove has so much momentum.
good, BUT - Elvis Presley's really grooved, this is not so. There is generally issue with modern playing - to much emphasis on technique etc, rather than music.
Two items to note: First, the original Elvis version was recorded on July 10, 1963 at Radio Recorders in Hollywood. It was played by the best studio musicians at the time, so there was absolutely an emphasis on technique as well as music. Second, my performance in this video was part of a program about drumming, created for a drumming audience. So yes, there was an emphasis on technique and chops because the drums were center stage. If I were to play this in a concert setting with my band Royal Crown Revue (as I did hundreds of times over the years), I would have used fewer chops in general. Peace, and have a great day!
Thanks for the kind words, James. Guess what? I do teach privately and would be happy to work with you if you're interested. Shoot me a message: dg@DanielGlass.com and we can discuss further!
It's a bit more complex, but essentially, you have to think about connecting the multiple strokes so they feel like a single motion. As with the example above, you should also focus on how you get the beater to come AWAY from the head. Then, when you actually strike, it's as if you're just dropping the weight of the foot. In other words, the downs are always "for free." You do your work on the UP.
Yes, it's my "magic" cymbal - 14" Wuhan with 10 rivets. Has a great amount of punch, but decays very quickly. Perfect for the 1920-30s style music, and it sound great as a ride cymbal for those sections when you just gotta kick it up another notch!
Danny, It's John from NJ, always good to hear your updates. You are one busy person, keep the updates coming. Would love to come to one of your shows next time I'm in the city. Or take another lesson. I follow you on RU-vid and remember and practice all your teachings. Keep throwing up.
Thanks, John! Haha, yes, it's important to "throw-up" on a regular basis. All my gigs are posted at DanielGlass.com, so keep checking there if you want to join us. Always happy to set up a lesson when I'm in town. Cheers, and hope to see you soon.
@DanielGlassDrums true brother, but I too am a lefty drummer, and if it wasn't for Rod Morgenstein, Phil Collins, and your self, I don't think I'd ever see and lefty cats. But to see you playing Jazz, just brings a smile to me man.
