Hi! I am Sissel, a Hong Kong RU-vidr that aims to provide score videos of niche works by both niche or famous composers to you all! You may also go to my Bilibili channel, which I may provide some score videos that cannot be able to post here. (Generally that place has at least 15+ more score videos than here) Hope you enjoy my videos~~~ You could also support me in Ko-fi! ( ko-fi.com/sissel_online_score ) Or in Patreon! ( patreon.com/user?u=87931555 )
I saw a film recently called La Chimera. The "singer" was tone deaf but gradually, how it should be sung, was introduced. I thought I had died and gone to heaven... should have known it was Mozart with the oboe introduction...sublime
Laurence lesser has an excellent, if not the best recording I've ever heard of this piece i think from '63. There's also one from Heinrich Schiff. Played it a few years back and found 4:29-4:40 to be the most difficult part of the concerto, not the ossia part. The rest seems to sit surprisingly well.
Il genio musicale del sommo Viotti influenzò in modo profondo e duraturo i musicisti che vennero dopo di lui. I suoi stupefacenti concerti per violino divennero un paradigma imprescindile con cui misurarsi: ad esempio il grandissimo Genovese Nicolò Paganini oppure il giovane Beethoven ecc...
Incredible that you’re doing all of these in long videos. I think you are probably the first one on RU-vid to do this! Though I wish the scores had the words too
Pregunta realmente seria: ¿Alguien sabe dónde encontrar la parte de orquesta de esta obra? No encontré ninguna sola edición de la orquesta y estoy desesperado por tocarlo nuevamente, claro que esta vez con acompañamiento 😢
I fell in love with this concerto the first time I heard it. It is indeed incredibly hard to play and some parts are not very catchy, but the main themes in all movements are lovely! Thank you very much for uploading this! The 2nd (D-major), 3rd (E-major) and 4th (Bb-major) concertos were also published by the same publish with arrangement for violin and piano. They are available for viewing in the city library in Prague. Kubelík also wrote two more concertos (a-minor and b-minor), but they are lost...
I wouldn't agree with that description this much, the influence is clear (beside from technique) because both concertos have the same key, Mendelssohn's isn't in E Major
Are you sure Anzoletti meant this piece to be a set of Varitions over a musical piece? I think he meant the madrigale as the poem form and not as the musical form - therefore "Variazioni sopra il tema d'un madrigale" as "Variations over the subject of this poem" (as it is a poem set in music in three different ways).
@@SisselOnline Uhm, I'm looking at the manuscript... That's weird, the "theme" is all written in breves, which is not standard even for that time. Also the definition of "corale profano" (?!) has little sense. I wonder if the theme F-E-D-E-A/D-E-A has some other meaning (some sort of acerostic?).
@@SisselOnline It looks more like a plainchant... But such refined historically informed notation wasn't so common at Anzoletti time. And most of all, "corale profano" is modern definition made by the Cecilian Movement... I wonder if his quoting one of those composers like Perosi.
Hey, maybe you would like to make a video of a French baroque composer, like Rameau or Couperin? There are orchestral suites and quite a few sonatas for harpsichord by these two, you might be interested.
