Very neat! Love the color palette and atmosphere. The sound design for the pistons could be synced and mixed a little better, might be worth the time when putting the whole model together!
I am yes! I'm putting them all up on my gumroad one at a time, so I can give them custom licenses. I've had a bit of trouble of people buying and them sharing them publically, so I've needed to re-work how I sell them. Here is my gumroad for when it becomes available :) hainsworth3d.gumroad.com/
@@JRHainsworth Great. I had an idea to create a 3D videogame where you could just freeroam in the snowpiercer. Is it okay to use your models if I buy them? (it would be just private project) Do you have any more snowpiercer models?
I love that these things are basically just a highly-advanced Stephen Hawking wheelchair for Doctor Who's equivalent to the Shoggoth monster. upload.wikimedia.org/wikipedia/commons/8/80/Shoggoth_by_Nottsuo.jpg
Very well done, love it ❤❤ they’re anything but stealthy those ones, buzzing and whirring at every movement, the classic ones were silent but deadly. Great render. Would love to see you do a compilation of daleks from the dead plant to the present day each with their unique extermination sounds and visual effects from each story.
THIS shouldve been the Paradigm Daleks, with a few changes. Add back the plates on the top half of the mid section, make the dome lights flat like the Imperial/Necros variants and make the base thicker like the Time War variants. Boom new paradigm Dalek Design minus the teletubbie colours, keep it to the og black, blue, grey and silver
OK, the twitching prongs is by no means a bad idea, but it seems weird to have all three of them do it at different times. Now having the three claws do occasional adjustments at the SAME time, however... pure bliss.
I love how Ncuti's name is missing from the credits like how the doctor is missing from this point onward in the episode, great bit of extra effort there
The only discrepancy I have with this one is those random cuts where it flips to a completely different scene. If you look at every other Doctor Who intro, there are absolutely no cuts. Not one. And then here, Two. I don’t know about you, I don’t want doctor Who turning into Coronation street or Emmerdale with the amount of cuts in the intro.
I love how the Tardis moves in this sequence. Just shows how good the Doctor got at piloting it while fitting the energy of this new iteration. The way it moves and glides as if surfing the waves of the cosmos. It’s just really cool.
I was thinking... If the episode doesn't have a cold open, why don't they just add the sting to the end of the Whoniverse title? Like, it makes so much more sense over having the sequence behind by 2 seconds. On the other hand, it did remind me of RTD era 1
Um, what? The 13th Doctor theme was the classic Derbyshire electronic synth theme with new percussive emphasis on eclectic beats and some new Akinola spangles underlaid.
The music at the end sounds different, like they did something to it that makes it sound like they somewhat suddenly cut to the end part of the song if that makes sense. (Not specific to this re-sync, I mean on the actual one.)
They stay on the logo for longer than the 60th version. The beginning of the opera singers should be the end of the intro. I had to cut it a bit shorter to match the new sync and I didn’t do that good of a job finding where to do it.
@@JonathanElliotMayTwelfth doctor’s era. A good amount of his title sequences were out of sync. Similar thing happened with series 4 episode 1 “Partners in Crime”, but that was a one-time thing.
It’s much better with the audio synced properly but I still prefer the old one. Just realised they got rid of that bit where they zoom in on the TARDIS after it came out of the cloud, I loved that part, made it feel more real.
Yes, same. Other than the terrible logo of the other version, the random, J.J. Abram’s style snap zoom was just awful. The snap zoom is fine for in-episode action shots, but it’s just completely baffling why they put it in the intro. This one is so much better.
