My name is Spencer and I am Digital Imagining Technician in the International Cinematographer's Guild.
This channel's idea is to capture the mentality of the "Camera PA". A mentality of exploration, excitement, lack of ego, and no ceiling in sight. Years ago I started as a Camera PA and I have slowly moved up to where I am now as a D.I.T. Since starting I have tried to never let that Camera PA spirit die. This is its playground.
After countless hours trying to find the answer, these were the most concise instructions I've seen/heard. Well done, thank you so much! Now my video looks the same in Davinci, and Quicktime. However, it still looks slightly darker in IINA, and VLC, but consistently, at least. That seemingly is how it will be. I still cannot believe Apple of all devices could be subject to this kind of unnecesary complexity/workarounds.
aye brotha, ive got this monitor and i want to update it to 2.0. the sony speak instructions are not helpful. im not a dit (iim a steadicam op) so im not used to this side of the world. can you give me any insight on how to update this monitor? meaning can you dumb down the process? last night i had the monitor in peer to peer mode and had it connected to the ethernet port on a laptop running windows, but after putting in the 192..... ip address and 255.255.... subnet, the computer doesnt see the monitor. any help?
What would the recommended export settings be, generally? Under 'Advances Settings' in the export I used to do Color Space Tag: P3-DCI and Gamma Tag: sRGB. Because of these project settings you have shown would we keep Color Space Tag as 'Rec.709' and Gamma Tag as 'Rec.709-A'? Thank you for this video!
Alas a bit prone to failing due to a defective OLED panel or driver board. And there is absolutely no service information on the driver board. If it fails, you have to replace the entire panel and driver, which writes it off. Likely to be chucking mine in the skip.
I have fifteen Offline & Online Colour suites all fitted with the PVM-A250. Dependable and reliable is the word - even the drawbacks you mentioned, aren't a problem for us.
Hi Spencer great video ! I'm really curious to see how you setup your LG C1. how did you attach it to your cart?Is it convenient to work on a screen with that size? how do you carry it around during the shooting ? LG screen are the only option for a decent monitoring here but I'm really septic about having a fragile big screen on set.Thanks in advance for your answer
I am a sigma fp user and shooting in cinemadng. I am a begineer on davinci. What would you recommend me about color space transfor in and out nodes that ı saw on other peoples videos but your project setting is different from them. Hope you have time to explain.
THANK YOU. MY GOD! IT WASN'T THAT HARD (talking to everything on the whole internet about this topic), WAS IT? 😂😂😂 You made my day! And you got a new lifetime subscriber as well! 🎉
When I change to rec709 reference in control center do I still need to select rec709A as the output color space in resolve? If the MacBook display is displaying rec709 gamma 2.4 why would we select rec709A still?
I used to work with this monitor for color grading, Mastering and QC. Is really a great monitor, color are fantastic. Even better in my opinion than today’s standard, the LG EP950 OLED which is the replacement for those Sony OLED. Is a shame that Sony doesn’t make those anymore…
I have davinci resolve 18 (free) on my pc back home, now I’m away and have a laptop should I download the 18.5 beta or the 18 version? Does the beta have all the things 18 (free) does?
