Welcome to my channel! My name is DunlapGaming, or Dunlap for short. The thought of being the factor that turns a bad day into a good night is what makes all of this worth it to me.
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Happy 20th anniversary to Home on the Range - the last in a long marvelous line of 2D animated Disney films (or actually penultimate if you count Princess and the Frog). I wonder if Elgin's People would have done much better as an animated western at the box office?
Watch "I'm a star!" from Wish, then watch this. It is night and day. Home on the Range has often been maligned as one of they worst films in the Disney animation catalog, and not without reason. Like many flawed movies, a lot of problems start at a basic story level - I really think they should've gone full insanity and gone for the deleted Slim wanting to become president plot. Then just the gross out/obnoxious humor is too much. Lastly, the animation, with the pointy character nostrils, can be uncomfortable sometimes. But beneath all that - there are absolutely stunning backgrounds. Really well written songs. Funny creative flourishes. There are, so to speak, diamonds in the rough. Then compare it to Wish. It is presented to us as a grand celebration of Disney, a classic fairy tale, with "watercolor" visuals. What do we find? One of the messiest stories Disney has put to screen. An attempt at 2D like cg that doesn't lean into the advantages of either. A villain billed as being a return to classic pure evil, yet in reality comes off as being more in the right than the heroes. But the songs are the worst. The song writers, mostly, are not to blame. It was the upper management at Disney who chose pop writers rather than musical theater ones, clearly didn't give them enough time, and then put a stamp of approval on it. Where Home on the Range has lines like "There are crooks in this here west, who claim to be the best, who think they wrote the book on how to rustle -" "I know a place... that's pretty as pie, up where the river bend meets up with the end of the sky." - lyrics that advance the story, provide insight into character motivation, and have interesting turns of phrase - Wish has "Watch out world here I are", "throw caution to every warning sign" and "when it comes to the universe we're all shareholders." - "You're a star" alone is just worse than all the sins of Home on the Range and Chicken Little combined. It doesn't advance the plot, it doesn't tell us anything substantial about Asha's character, and just... some of the lyrics are completely utter nonsense. The song is ostensibly trying to explain stuff to Asha... and the animals never do. They say things like "here's a fun allegory, that gets me excitatory" and never explain what the "allegory" is, only following it up with an even more baffling line "we are our own origin story." There is plenty of amazing creativity out there - just look at the number of people rewriting Wish, or the number of studios and individuals making independent animation without the vice grip of Disney. No, the Disney executives have brought this on themselves. They insist 2D animation is too expensive, while countless people online do it for a fraction of Disney's budgets. The company has become so risk averse that they will now only do guaranteed blockbusters, rely more heavily on the crutch of cg letting them rewrite scenes over and over, working their employees to an unmanageable degree. And lastly, they want control - they don't want to let skilled creatives control stories, because that is risky. So they give projects to inexperienced people they can force story changes onto - and never provide smaller productions for their workforce to build skill in. And no, Disney is hardly falling because of "woke." Lightyear was a terrible movie because it made Buzz depressed, rather than taking us on a fun space adventure, not because two girls kissed. But I digress. Hollywood has utter contempt for the fine art of animation, and will do anything to make the stock holders happy, even if it means making something as revolting as Toy Story 5 and Finding Nemo 3. I pray that audiences are finally done with this nonsense - that even casual viewers tire of having their nostalgia exploited for so long. Disney as a company must suffer. Someday maybe, we will see great imagination surface from them again. Until then, I urge everyone to give their money and especially attention to those who deserve it.
Now listen up There are crooks in this here West Who have claimed to be the best, And think they wrote the book on how to rustle Well, as good as they may be, Not a one's as good as me, An' I barely have to move a single muscle They call me mean, boys Depraved and nasty too And they ain't seen, boys, The cruelest thing I do You see, I yodel-adle-eedle-idle-odle The sweetest way of rustlin' yet devised 'Cause when I yodel-adle-eedle-idle-odle Why, looky how them cows git hypnotized He don't prod, he don't yell, Still he drives them dogies well, Which ain't easy when your chaps are labeled XXXXL Yes, if yer lookin' from a bovine point of view, I sure can yodel-adle-eedle-idle Yodel-adle-eedle-idle Yodel-adle-eedle-idle-oo Here we go, boys Five thousand cattle in the side pocket Yes, I can yodel-adle-eedle-odle A sound them cattle truly take to heart Yeah, I can yodel-adle-eedle-idle-odle An' smack my big ol' rump if that ain't art He don't rope Not a chance He just puts 'em in a trance He's a pioneer Pied Piper in ten-gallon underpants Yep! I'm the real rip-roarin' deal to those who moo Thanks to my yodel-adle-eedle-idle Dodle-adle-eedle-idle I got the cattle out the ol' wazoo 'Cause I can yodel-adle-eedle-idle-oo Yodel-adle-eedle-idle-oo