Canale dedicato a DaVinci Resolve e al suo mondo. Studiolab24 è partner ufficiale Blacmagic Design con trainer certificati in DaVinci Resolve. I video caricati riguardano il funzionamento del programma e workflow dedicati all'editing, color correction, color grading, compositing e audio. Si parlerà della CUT PAGE, EDIT PAGE, COLOR PAGE, FUSION PAGE e FAIRLIGHT PAGE in pratica di tutte le sezioni comprese all'interno del software.
Why is this video HLG? Because of this, the actual brightness we see is going to depend on how our displays are configured. Surely PQ should be used for a video like this...
This video is excellent to show the logarithmic way our eyes perceive brightness. Obviously room dependent, but the higher you go the less the perceived differences are. The jump from 400 to 600 feels particularly big, 600 to 800 is significant, but 800 to 1000 is definitely subtler.
Thank you for sharing, I have a question may I ask whether to record Proress raw to cfe is 10bit or 12bit? I look at the official website is 10bit, I hope to get confirmation, I am very important to whether to buy or not, look forward to your reply.
It's because of tonemapping. Your display adjusts the HDR content to fit within whatever the maximum luminance of your display is, which in your case would be 600 nits. Simplified example of tonemapping on a 600 nits display: - 100 nits source, 60 nits output - 500 nits source, 300 nits output - 1000 nits source, 600 nits output
@-EcchiGuy Bro i own a lg 27gr95qe-b with 240hz, 1000 nits and hdr10+ also i doubt that the panel of my samsung galaxy s24 plus which is a advanced dynamic amoled is some crappy stuff. It actually got 2600 nits. Hdr is in the windows display settings on, the mentioned settings in my browser too.
у меня монитор 300 нит заявленых имеет. но я вижу разницу между 600 и 800 на этом ролике. почему? проверял так же на амолед телефоне. разницу между 800 и 1000 вижу.
Думаю внушение.. из за оно что цифра на экране обновляется экран моргает в этот момент и кажется что стало ярче, я таким же Макаром вижу разницу на мониторе в 240нит и на телефоне 550нит и 400,600,800,1000 хотя я думаю разницы уже нет 😊
I noticed way too much jitter on samsung oleds. Idk why but i tried on my phones s23 and iphone 15 pro the jitter is not as bad but on samsung flaghip oled tvs the jitter is just disgusting tested the vid on a s90c and s95c besides that i tested this video on a lg g3 and its perfectly smooth. Can someone ecplain why samsung displays just suck at motion?
My s95 is the same, I do notice it has trouble with fast movement in general. I tried various settings but never sorted it. Very disappointed tbh, I paid a lot more to have the qd oled which looks fantastic as long as there is no movement 😂😂😂 Did you ever figure out any fix?
weird. LG C7 whole screen brightness. 200 nits is brighter than 400 nits. i assume it maxes at 300 nits? then somehow shifts back down to 200 range?? small window does reach about 800 nits.
i think my monitor got some kind of false HDR? when i activate it, everything looks the same, just more desaturated colors and also looks kinda more blueish
🎯 Key Takeaways for quick navigation: 00:00 🎹 *Blackmagic Design introduced a new editing keyboard designed primarily for the Cut page in DaVinci Resolve 17, enhancing speed and efficiency.* 01:25 🕹️ *The tactile controls on the keyboard, including a rubber-coated metal jog wheel, provide a different and precise feel for tasks like play and timeline navigation.* 02:23 🛠️ *Dedicated buttons for various editing tools like smart insert, close up, and lap and clip, located on the top left, enhance the editing experience.* 03:21 🎥 *Specialized buttons for transitions, including cut, dissolve, and smooth cut, along with a multicamera editing section, contribute to efficient editing workflows.* 04:16 🎬 *The keyboard's buttons have different functions based on how they are pressed, offering four modes: single press, long press, double press, and double press with hold.* 05:17 🎞️ *The tutorial will demonstrate the keyboard's features slowly, exploring functions beyond the speed editor, and incorporating mouse actions for a comprehensive understanding.* 08:31 🔄 *The keyboard enables easy switching between the timeline and media pool, with the jog wheel facilitating quick navigation through clips in various modes: scroll, jog, and shuttle.* 13:41 📊 *The keyboard's timeline view provides a complete overview, allowing swift movement from the beginning to the end without the need for zooming, enhancing precision.* 16:16 🎛️ *The keyboard's jog and shuttle modes offer precise control over frame movements and playback speed, aiding quick review of footage before editing.* 18:00 📑 *The tutorial covers the process of selecting in and out points, appending clips to the timeline, and navigating between source and timeline modes for efficient editing.* 19:20 🎬 *Learn to select and manipulate clips in the timeline using the "snap" feature, ensuring precise positioning.* 21:22 🔄 *Explore the hidden function of double-pressing and holding the search dial to dynamically resize the timeline space in DaVinci Resolve.* 22:37 ✂️ *Master the trim function by making cuts in the timeline, using the splitter, and employing ripple delete to close gaps.* 24:52 🖱️ *Utilize the trim function in the timeline with the Speed Editor, adjusting the in and out points of clips efficiently.* 27:16 🔄 *Experiment with the "roll" mode to extend or shorten clips in the timeline, adjusting the transition points between them.* 27:56 ↔️ *Use the "slide" mode by double-pressing the roll button, enabling you to slide clips without changing their in and out points.* 29:40 🔄 *Understand the "slip source" and "slip destination" functions for adjusting clips to the left or right of the playhead, respecting the smart indicator.* 30:13 🔀 *Correct mistakes or undo actions with the mouse by using the undo function, as there is no dedicated "undo" key on the Speed Editor.* 31:07 ⏱️ *Learn to change the duration of clips using the "Change Clip Duration" function, either by setting a specific duration or using predefined presets.* 32:45 📤 *Explore the "Place on Top" function to insert clips onto a higher track in the timeline without overwriting existing content.* 34:28 🔄 *Practice the "Replace Edit" function to replace a selected clip with another, automatically adjusting the timeline to accommodate the change.* 35:31 🎞️ *Use the "Close Up" function to create a close-up shot of a selected clip, maintaining quality by zooming in without affecting resolution.* 36:48 🔉 *Adjust audio levels by activating the audio icon, holding the audio level button, and using the search dial or inspector for more precise adjustments.* 38:31 🌐 *Insert transitions between clips by selecting the desired point and pressing the transition button, ensuring there is sufficient material for the transition.* 39:51 💡 *Save custom transition durations as presets by double-clicking the transition button after adjusting the duration, making it easily accessible for future use.* 40:45 🎬 *The "cut" button can be used to remove transitions. Press it near a transition to delete it.* 41:19 🔄 *The "smooth cut" transition is handy for fixing jump cuts in footage, creating a smoother viewing experience.* 43:44 🎨 *Use markers for various purposes, such as referencing, adding titles, or communicating with collaborators. Double-press the audio level button for inserting markers.* 46:39 📝 *Change marker colors by double-pressing and rotating the search dial.* 47:06 🖊️ *Titles can be added by dragging a title from the palette onto the timeline. Adjust and customize titles in the inspector.* 49:14 🔈 *Manage audio by adjusting volume levels and adding fades using keyframes. * 50:41 🎬 *Create widescreen bars by activating the output blanking feature in the editing page, providing a cinematic look.* 51:58 🔄 *Quickly reposition frames by holding the "Y position" button and adjusting the vertical alignment.* Made with HARPA AI
ciao e complimenti per i tuoi contenuti. Volevo chiederti quando "scrollo" con la rotellina su una clip che ha audio a me l'audio non si sente. Invece vedo nel tuo video che quando scorri il fotogramma si sente anche l'audio. C'è una soluzione o è questione di hardware?
I knew it SAMSUNG f**ots can go f* themselves with update patches. Downgraded my premium TV from 1k to 600 nit with it. And I thought why my tv is looking that shit with HDR option now. No wonder, when u got a criminal CEO director in prison now.
It's very strange... I have Gigabyte G34WQC with max peak 350 nits brightness, and my eyes can catch increasing brightness up to 600 nits, after it no sense The verdict is the Gigabyte wrote the wrong value of brightness or this test is wrong
the test is fine. I have a M1 MBP, and it has HDR peak brightness of 1600 nits, and sustains it at around 1300 nits. I could easily detect the scale from 400 - 600 - 800 - 1000. I think it's capable of even more, so the video is fine (had to squint the eyes at 1000 nits, sheesh)
holy crap, my xiaomi 12 turbo. omg, OLED is INSANE it has ab12 bit OLED panel, only when I watch HDR content it reach it max peak brightness, and damn is brighter than my own light bulb
