Backing Tracks - Jam Tracks - Tomas Sandanus Music is the channel where you can find free jam tracks in different genres.
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Under section - Videos and Playlist - you can find all released Bass and Guitar Backing Tracks - If you record some solo cover on my Backing Tracks, please send me a message - I will add you to my Backing Tracks / Jam Tracks covers Playlist in tab - Home.
Most of the backing tracks are my own songs or ideas so I hope that you like them.
- Happy Jamming & Keep Jamming - Jam Tracks - Tomas Sandanus
Yes, you can play notes from the E minor pentatonic scale over the Em chord in a C major backing track. Here’s why: E minor is the relative minor of G major, and G major is a diatonic chord in C major. The notes in the E minor pentatonic scale (E, G, A, B, D) are also present in the C major scale. E minor pentatonic scale notes: E (root), G (minor third), A (perfect fourth), B (perfect fifth), and D (minor seventh). C major scale notes: C, D, E, F, G, A, B. Since all the notes in the E minor pentatonic scale are part of the C major scale, they will sound harmonious over an Em chord within a C major backing track. So, it’s perfectly fine to use the E minor pentatonic scale over the Em chord in this context.
Lyric: They got loose here Oh, whoa, whoa Big wheels keep on turnin' Carry me home to see my kin Singin' songs about the Southland I miss Alabamy once again, and I think it's a sin, I said Well, I heard Mr. Young sing about her Well, I heard ol' Neil put her down Well, I hope Neil Young will remember A Southern man don't need him around, anyhow Sweet home, Alabama Where the skies are so blue Sweet home, Alabama Lord, I'm comin' home to you One thing I want to tell you In Birmingham, they love the governor (boo, boo, boo!) Now we all did what we could do Now Watergate does not bother me, uh-uh Does your conscience bother you? Tell the truth Sweet home, Alabama Where the skies are so blue Sweet home, Alabama (oh my baby) Lord, I'm comin' home to you (here I come, Alabama) Speak your mind Ah-ah-ah (can you feel that?), Alabama Ah-ah-ah, Alabama Ah-ah-ah, Alabama Ah-ah-ah, Alabama Now Muscle Shoals has got the Swampers And they've been known to pick a song or two (yes, they do) Lord, they get me off so much They pick me up when I'm feelin' blue, now, how 'bout you? Sweet home, Alabama (oh) Where the skies are so blue Sweet home, Alabama Lord, I'm comin' home to you Sweet home, Alabama (old, sweet home, baby) Where the skies are so blue (and the governor's true) Sweet home, Alabama (Lord, yeah) Lord, I'm comin' home to you (woo, whoa, yeah, oh) All right, brother, now Wait one minute! Oh, oh sweet Alabama
Hi, Thanks for sharing. I personally prefer the vintage Fender saddles, the sound is more organic, provides less mid but more highs and is sounding more traditional. I find the graph tech have maybe a bit more punch but too much mids and the signal is less organic and more confused and less musical... Maybe I am wrong but this my earing and I have 2 Stratocaster reissue I bought with black color saddles supposed Graphtec that I am going to remove to put real Fender vintage saddles to have the pure sound 😊
Funny thing is I was just at work one night, thinking I needed to go home after work and play this exact song in c major. Wondrously this backing track sound just as good as I could imagine it played. Good stuff!
Thx man! This is exactly what I was looking for so many years! Thanks to the neck diagram I finally understood the pentatonic. It just clicked! A massive step in my guitar playing!
@@TomasSandanusGuitar I want to say thank you for all your work. There a lot of people that use your work and don't comment or let you know, which is fine of course. Just know there are many people that play over your backing tracks and get inspired, like me. Thanks.
Hello! Thank you for the comment, It depends on your perspective :) The song is in F major This section in D minor the solos are over Dm and C chords, so if you use the C major scale you won't hit any weird notes. The most important is bass for me and this part is written in d minor Tomas
