Дарю идею, чувак. Набираешь все эти сэмплы и создаёшь новые треки. То есть каждый трек сначала собираешь в оригинальном звучании, как в этом видео, а потом делаешь абсолютно другой (свой) трек из собранных звуков.
When you consider the fact that the prodigy sampled almost all of their tracks without putting in the effort to create their own beats & sound's, it doesn't give them any credibility in the creative, department, just whinging it in the technical concoction of other artists sound's, like using sellotape to make a collarge. I liked them as a kid though.
I thought I've seen it all in my old Metal Days but then I went to my first Prodigy gig in 2009 I could believe what I experienced. Every concert of them is like a 3rd world war and Keith was their general! 🫣😄 R.I.P. 💚
I think in some ways its more difficult to recreate this, than it was to create it originally, because Howlett wasnt trying to match something else 100%. But of course he had the creative vision and musicality to make something out of all those samples. I'll never forget when i first saw / heard this track in 96. It was quite a shock, seeing this electronic and punk mashup. They say it was Oasis's third album that killed off Britpop but id argued this did. It made everything else sound and look so tired.
I personally think that simply experimenting with samples led to the final song, there was no clear vision, just playing around and let it sound good. Presets from a Roland JD-990 with Vintage-Card and a Korg Prophecy did the rest.
Seeing this helps me so much understand how music can be made, I think the modified sample approach is more my style, and I didn't know it was a thing until now. Synths are so overwhelming... this is just amazing!!
