WHY YOU DIDN'T COME WITH 10. 18 WHEELERS FULL OF FOODS CLOTHES AND SUPPLIES NEEDED TO REALLY HELP THESE PEOPLE..YOU ONLY GAVE THESE AFRICAN PEOPLE..PENNIES WORTH OF HELP..
Thank you for this. It is a shame that you didn't go to a part of Senegal which is LA CASAMENCE. They have the Diolla ethnic like me , and we have a brilliant tips of music. I am from Senegal Casamance living in the UK. I sung and wrote song in Diolla and French when I was living there. There is other ethnics there as well. Thank you again, it's always nice to hear something about Senegal
siempre hay alguien que no le gusta... jajajaja estan por todas partes.. seguro son pajilleros que esperaban un videoclip con culos champagne y cadenas de oro
imagine blacks doing this in europe or asia...totally different... thats why i ahte it when whites just walk around in africa acting like if they do something in africa..but when we go to your countries they will treat us like shit
So, let me understand something. Is it a documentary about Senegalese music? And, if so, where is the music? Sorry to say, but the only thing that transpires is: two British guys, going to Senegal, being free, experiencing diversity and saying loud: "How good are we?" (because it seems that the documentary is about how good you are and not about the subject of investigation mentioned above). And, the fact that one of you is a Dreadlock, does not really help. Having said that, thank you and please, no bitter feelings :)
Did I see the same documentary by 2 inexperienced, but devoted, Europeans trying their best to do an ethnomusicological survey of traditional Senegalese folk musicians and artisans with extremely limited resources and time constraints? And the bigoted comment about "a Dreadlock", as if that were an appropriate pronoun is indicative of really not getting it. See other comments for more inclusivity and gratitude.
thanks a lot for this. I am from kenya and I have studied western music. I am very sad to see the erosion of African traditional music but I understand that it has to evolve. however many youths in Africa don't think of ways to evolve in African music but rather they don't listen to it at all. most Kenyan music today can't even be traced to our ancestors. no one wants to try and integrate African music with modern technology. this is what I wish to do in life after completing uni studying music
