15:07 but thats not style, Personal style is how you see the world, shaped by your environment and experiences, not by genres like realism or comic. I can paint realism, comic, oil, digital... and its always my style, its how I aproach stuff. Find your style sound stupid because you have your own style from the begin.
Do you think it’s fair to say that both concept art and final illustration work are safe, but the iterative process in the middle gets automated away with AI?
Yes, thank you so much; it was my first time getting to see the full process and breakdown of a triple-a studio splash art. It was incredibly insightful and frankly inspiring as an art student. Thank you again!💖💜✨
i have a question, maybe you can help clear up some of my misunderstandings with light. If the ambient light is stronger than the direct light, wouldnt that light be reffered to as the direct light instead of the ambient light since it is the most dominant light? or is there something im misunderstanding?
I came across this channel by chance. Please do a sequel in which you paint different materials to make it even clearer for beginners. Then you have the best tutorial on RU-vid. I hope your channel gets bigger and that we get more of your great content. I do have a question though. Wood has a grain. Wouldn't that be more of a difference in the reflectivity than small gaps?
your channel is pure gold...thank u for this free content :)) maybe you could do a tutorial about drawing folds in clothing... i mean there are lot out there but still... the struggle is real.. especially quiet lose oversized blouses with thin material are like a nightmare.. lots of unpredictable and crazy folds and yeah... it drives me insane
I feel like the glossiness/specularity concept is a bit confusing because like some other render terms in the post 3D modeling art world, the terms come fro 3D software vernaculars rather than directly from the principles of optics. So when you look it up to learn more, it feels like everyone is giving you a different answer lol
Awesome videos, they are all so useful! I would love to see a video about how to start an illustration, focusing especially on thumbnails, i really struggle with that :')
sorry if this comes off as confusing, but for the studying phase (example: hands), would you try to study the simplified constructions in the book first, following the authors' instructions step by step, OR would you try drawing hands from reference (either using photos or using your own hands) using the construction methods from the book and note anything interesting you see? I ask this because I'm trying to improve my hand drawing by using both anatomy for sculptors and marco bucci's hand drawing videos as resources, but I struggle with trying to figure out how to effectively study them and how to relate the simplified constructions back to real life references. I used to take notes when studying but I stopped because I realized I was spending more time note-taking than actually drawing.
Thank you so much for this video! This helped a ton. I was wondering how you created your photoshop setup, I have had so much trouble trying to get a good digital paint setup going and yours looks amazing!
Hi Forrest, I was wondering how do you go about controlling the half soft half hard edge brush? Do you adjust the angle with pen tilt, manually in the brush selection or just not at all?
I suck. That's the bottom line. I've taken 3-4 art classes and I still suck. I follow several on line tutorials and I still suck. But I don't want to give up cuz I really enjoy this. I'm an oncology nurse, 70 years old, still working cuz I love my job, I've cut down to 2 shifts weekly and now, I want to do fun stuff. Please help. I want to learn watercolor.
I love MHA, but I am waiting until the series is finally over so I can sit and binge it, I'll check the rest out! I've heard good things about guren lagann
Thanks a lot for the content! I really like your videos and find them very insightful :) I have a question regarding flow/force: is the "force" that Michael Mattesi talks about in his books very different than Michael Hampton's idea of flow in gestures? Because he also talks about this idea of asymmetry and flow in gesture drawing.
it's very similar to the sort of asymmetrical flow through anatomy, although I think it's using that concept of asymmetry and flow to inform your decisions when exaggerating your anatomy, not just recognizing it as something that naturally happens but pushing those shapes even further. It's well worth picking it up if you haven't!
