@@BFHPET idk who’s speakers your talking about but it’s definitely not true for my system and any system at a party. You also need to understand that the frequency of the last node is never actually happening and the actual ‘fundamental’ of the kick is happening in the 40-50hz range.
@@BFHPET its a mixture of the amp envelope closing before that frequency is reached and the fact that it’s a logarithmic time scale for the pitch nodes meaning the sweep sort of slows down the further through it gets
@@BFHPET you can if you like. I recommend you don’t worry about what it says in kick2 so much and focus on the response in an analyser. Also reference some pro kicks so you can see the spectrum they have.
I don't get it, why that SAW from noise has different FM effect than just the SAW from OSC2 :\ As they sound quite identical on their own - SAW from noiseOSC and SAW from OSC2
A question - why are you using the Noise OSC instead of the B OSC? If all that happens is having a Sawtooth Waveform, i don't see what the point of the noise is. I am seriously interested! Not trying to criticize your method here.
The noise oscillator is what he’s using to frequency modulate OSC A, pay close attention to 2:02-2:30 and watch how he routes the noise OSC into OSC A and then adjusts the dial to taste after
@@bl8de3 yo my bad dude, when you said “I don’t see the point” I thought you were asking for an explanation for what specifically he was doing. Looks like OP has got you covered with his own explanation there.
eeeeeeeeeey my guy! That's a nice trick... I'm astounded how long i've been using vital now and still finding and coming across fresh new ways to make sounds. I'm gonna use this one :) Thanka youz very much sir. [also as an edit I must say; one of the best tutorials I've seen, you get straight to the point of what you are showing without tediously explaining your every step. Do more, I will sub]
This is Called ‚Feedback Loop‘ for everyone who cant get max devices! Just a feedback that feeds itself with return channels on top a limiter to not rip your membranes and a group out of bp filters with lfo mapping for example
When I resynthesize the preset as a wavetable the result is different from what you achieved in the video :/ I wonder if it has anything to do with my version of Vital not having "frequency" as an option and me using "tempo" instead?
When I resynthesize the preset as a wavetable the result is different from what you achieved in the video :/ I wonder if it has anything to do with my version of Vital not having "frequency" as an option and me using "tempo" instead?
Hey mute, I wonder why vital feels so thin compared to old massive? And also that leads me to question is serum more like a massive with updated UI? I never used serum but I always feel that the old massive is much better compared to vital even tho it’s old ); please help me understand why is that
@@MuteProduction it was just a thing that popped up to me while watching this Vid. Hes a very old friend of mine known him YEARS! I haven't spoken to him in years as well! I guess it was the south country Psy crew & was a shot in the dark as to weather you knew each other I lived with Palf in Exmouth for a couple of years!
@@fallenleaf24 oh wicked Yeah we used to talk a lot back before covid times when i was living in Bristol. I need to give him a call some time and wrap up my tune with him. and Bugsy rings a bell but can’t remember where from to be honest.
@@MuteProduction lol small world! thats amazing! if you speak & can remember say that Sunda says hi! that will spark some convo :) When Palf got back in to making music I was there! we of inspired eachother a lot back then!
thanks for the knowledge. Do you do volume adjustment on the base, after the final processing of the velocity range and lfo tool to be in this 2db range (from kick to base) or you just leave it and trust your ears and not the "rule".
after having trash sampling techniques, this opened my 7th chakra over my head with that amazing clear morphing squelch technique of yours. deeply appreciated.
