Great little insight into what you have been upto. 👍 It’s inspiring that you have no building experience, and just jumped straight in. 😉 Oh, and a bit more lower leg in the next video please 🙏 🤪🤣
Anything is possible with the right mindset and attitude. Literally from no knowledge of my craft to where I am now. The journey continues. 😎 I will try for the full 6'4" height next time 🙃
I tried this in bitwig,mixcraft and reaper and inverting the phase on one track didn't do a great deal. it slightly lowered the volume and you could hear the phasing when in but no where near the amount you was showing and has no practical use like that except for maybe making a flanger effect. it does work if I do it as 2 audio files rather than midi. it will pretty much null then but with Midi doesn't work for me. maybe cubase calculates the sample rates of VSTi's better than other DAW's
Nice. I'd suggest running double the number of cables you think you need, for future expansion. Assuming you're running not just power, but audio, speaker and network cables as well...
Hey Tony, yeah I may have to much cable 🤣 But much appreciated for the heads up because I did not think about network cable. Probably will not need it but like you say...expansion. 👌🏻
Than was the plan however, it was just the floor that needed separating from the space below. 2 walls are 2foot of solid stone so that is a massive bonus 🙂
Im sure you've done your homework, ive just had to replace a chipboard floor that didn't inter lock unless every joint line is supported over time there will be movement , also maybe just a choice of words but better also to screw it down with glue also d4 glue is industry standard for flooring 👍
@@thedj5914 I have mass loaded vinyl down on the floor with the frame on top. Each section is sealed (overboard) but I have enough to do it. Acoustic adhesive and isolation foam on each beam before adding the wood sheets for the floor 👍🏻
No phase cancellation can only work with duplicate sounds that are identical. Subs tend to be a mix of saws, square triangle etc. but you much duplicate the track once the sub is made for it to identical. Look at how to extract vocals from a song the old pre AI days. 👍🏼🙂
Thanks for this tutorial to make us think about a creative use of phase cancellation. Maybe not the best sounding way to do sidechaining to my taste, but a great way to think out of the box and as a sound engineer. Definitely a good way to improve our skills. Thanks!
I found the masters of the kick and bass are the psytrance producers. Those guys get it perfect.. It's not as important to get perfect in trance and the kicks are longer. I try to get the kick length shortened to fit the sub as perfect as possible. Using a clipper on the kick also helps with transient shaping and adds a bit of warmth.
Wow that's so cool to get your own space. I'd love to do that. I'm always worried about the neighbours, and it stifles what I'm doing. Good luck with it and great videos BTW.
Completely pointless. It's like someone doing a landscape painting but with their feet. Aye, very good mate but just use your hand and brush like a normal person and get on with it FFS.
I was never expecting anyone to take on this idea but I cannot be totally pointless when setting up a side chain with a compressor also takes just as many steps. But in a world of volume shapers this can e done instantly so I see both sides 😎
While this is a nice tutorial, it serves as an example of how poor trance has become over the last 14 years. Techno, house, psytrance have always managed to stay true to the roots of the music, whereas trance sounds nothing like it did from the 90's right through to lets say 2010, which even by then many of us started noticing at the likes of trance energy, the music just wasn't as good any more, and more and more trance producers were producing different styles. Uplifting trance is so repetative and saturated with so many similar melodies. When the real hard kick drums became the norm, I found it ruined the music.
Classic is coming back and in a big way. It has been creeping back in for a few years now. Trance split into so many sub genres it was difficult to work out where it was going. 😎
@@demishellen Very slowly but still nothing like the 90s. Take Icon - Desire (Icarus Remix) for example, as that serves as solid proof how producers today and in the 00s (including myself) abandoned the true trance sound. Trance became over engineered and most producers were like sheep. I remember all this cutting shite started after about 2010 and all of a sudden it seemed everyone started doing it. The heavy hard kicks became the norm which seemed to cause basslines to lose creativity as every opted for rolling basslines for most part. All a one trick pony style. You listen to a Darren Porter set and literally every track has same kick, lead sound and bass sound being used. Its really weird.
He could also possibly just be selecting bass notes which dont share the same fundemental as the kick to avoid that overlap, although I don't like the limitation that imposes. I use Ableton but I'll try and replicate this later, it's always facinated me how artists can get that offbeat thick pumping feel without ever losing power from either the kick or bass when playing different notes.
Have fun with it, I would imagine it will help with understanding Phase more than anything. 😎 Keep you lows simple and don't be tempted to over process to achieve results. 👍🏻
Hello m8. Love the tutorial, its just what i needed! Two questions though. What does by passing do? Also whats the difference in connecting the filter cutoff to the mod wheel vs the macros
This is exactly what i was missing in terms of how to get that particular trancey 'sound' or tone. Are there any other patterns like this which result in other types of trancey sounding results? 🤔
