Russian opera still underrated .....though we have now since the time around 1990 more than enough singers from eastern europe to perform these excellent operas in Russian.
Non avevo mai ascoltato quest'opera. E' veramente molto particolare e ricca di musica piacevolissima. Sensazionali Inva Mula e Charles Workman, insieme a tutti gli altri interpreti. 🤩💯💯
BELLISIMA MUSICA Y TODA LA OERA EN GENERAL, LASTIMA GRANDE QUE SE HAYA CASI BORRADO LA IMAGEN ES UNA PENA QUE NO SE DIFUNDA A ESTE GRAN COMPOSITOR GRACIAS POR MOSTRARLO
! QUE PENA QUE ESTA BELLA OPERA TENGA UNA IMAGEN SUMAMENTE BORROSA, QUE NI SIQUIERA SE PUEDE DISTINGUIR LOS ROSTROS DE LOS INTERPRETES Y NO SE PUEQA ENTENDER BIEN SU ARGUMENTO ! PERO DE TODOS MODOS GRACIAS POR SUBIRLA
Thoroughly enjoyable. The singing and casting were excellent. I enjoyed the costumes and wigs. I thought the libretto was well-constructed, though I assume it must have seemed a bit slightly Bellini-Donizetti-Sir Walter Scott, old-fashioned, when it was first presented. The music was a bit hit and miss: from the absolutely gorgeous to the more workmanlike. The ending, I thought, was surprisingly moving. I was very glad you posted this; and it certainly is an Opera that I'd like to see again, from time to time. I recently heard Bizet's IVAN IV, and already love Pearl Fishers, Carmen. I would like to hear the others, now. French Opera is really special.
Does anyone know which version of L'Arlesiana this is? According to various sources, there are four versions - the first version of 1897, the first revision of 1898, the second revision of 1910, and the third revision of 1937. I notice that this version is longer than at least one other version on RU-vid by fifteen minutes or so, which suggests they are different versions. Thanks, in advance, for any suggestions!
Georg Danton: Eberhard Wachter Camille Desmoulins: Donald Grobe Herault de Secheles: Paul Spani Robespierre: Gerhard Stolze Saint Just: Hans Christian Herrmann, Prasident das Revolutionstribunal: Hans Braun Simon, Souffleur: Karl Schmitt-Walter Ein junger Mensch: Karl Equiluz Erster Henker (1st executioner): Karl Terkal Zweiter Henker (2nd executioner): Josef Knapp Julia, Gattin Dantons: Helly Spittler Lucille, Gattin Desmoulins: Sonja Schoner Eine Dame: Edith Vonkilch Simons Frau: Elizabeth Hongen
No conocía a Nielsen pero me gusto sobremanera esta interpretación de la relación entre David y Saúl; éste en decadencia aquel en ascenso; muy bien musicalizado e interpretado
Comme la première lumière du crépuscule, cette œuvre sonore ouvre les yeux à de vieilles promesses et à toutes les anomalies bienfaisantes de la nature. Evocatrices de pouvoirs au-delà de l'observation, ces pièces tirent les ficelles du cœur, attirent les nostalgies et réveillent les tourbillons, les vies écorchés et la torpeur des veilleurs tourmentés 🌺
How is it that Cilea could write so beautiful an aria as Lamento di Federico yet the rest of the opera is such an impossible dud? By comparison, Adriana Lecouvreur is a towering masterpiece
Большое человеческое спасибо за Ваш труд, столь нужный в наше переломное время направленный на сохранение русского искусства. Прекрасная запись, жаль, что с большими купюрами. А участие Г. К. Отса и С. Я. Лемешева - праздник души!
El espectaculo es bueno,de categoria.Lastima la camara tan mal ubicada y utilizada.Tendria que haber estado frente al escenario y no a un costado del mismo....
I’m not one for Boomer nostalgia, but it seems to me that this would be an improvement over what is available over the radio today. (Radio is like streaming, only you don’t need a smart phone or computer.)
Скверные костюмы. Бездарные попытки внести изменения в классику.. А музыканты и певцы просто жертвы этих режиссеров псевдоноваторов. Певцам и дирижёру и оркестру браво.
