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@@GreenScreenVfxStudio28 Sorry but that is not what motion blur looks like. This has nothing to do with innovation. Study real footage. Film objects falling dawn and you will see that motion blur NEVER looks like this. Im not trying to be an ass, just pointing out where you will need to improve if you want that your renders will be used by a wider audience.
@@divBy0 I appreciate it really, no one is perfect we all do silly mistakes. and I need people to tell me point out at me and say hey you're wrong and all. but there there thousands of ways to use any effect and do animation and I am just trying to create a Library where people can anything and use it anywhere they want to. but from next time I will look after it thanks
Dude, rendering CG against a bluescreen is the dumbest idea ever. It makes for hard comps that never look perfect. render the alpha separate if you want to distribute via youtube. The greenscreen may look 'filmish' but this shows you have no idea what you are doing.
It sounds like you've had a frustrating experience with bluescreen compositing. While it can be challenging, many studios and filmmakers successfully use bluescreens for CG integration. Separating the alpha channel is a common technique, but both bluescreen and greenscreen have their merits depending on the project's needs and environment.
@GreenScreenVfxStudio28 mate trust me, there is no professional studio that renders their assets against green. I have indeed had (very) frustrating experiences comping green and ages ago bluecreen shots. Do what you want with my advise but there is zero reason to tender against gs (orher than that you want to provide a beginning compositor practice materials to start learning greenscreen comping). I'm just trying to help btw, I have over 20 years experience with comping commercial and feature film projects.
@GreenScreenVfxStudio28 please give me one reason what comping greenscreen cg can 'give' that can not be done better with renders against black(with alpha).