Welcome! This channel is all about learning filmmaking and lighting techniques, while exploring gear that truly makes a difference in creating stunning visuals. Whether you’re a beginner or an experienced filmmaker, you’ll find hands-on tutorials, gear reviews, and practical tips to help you craft professional-quality videos. I don’t know everything, so let’s learn together and level up our filmmaking skills!
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Great video. I am a new fan of your channel and I love your vibe. Also, I can't tell the difference between the two Bottega bags, the luxrul is close and cute, so that's enough for me. I will bring my friends to buy.
@@EdgardB I just changed the name for two weeks i want to test if a name like this is more searchable than using my own because youtube has been shadow banning me
@@RichardOTalkToMeGuy thanks man I appreciate it. Yeah I like the DJI Mike because of the less compression for sure and there’s nothing then what an EQ can do and push up forward the vocals. Thanks for stopping by man appreciate it.
Yeah, so what you do is you put Velcro on the frame obviously and you attach one side of the Velcro and then on the sheet you do the same as well that way you could be able to take it apart every time you’re gonna go on set
Brill! I prefer the Lark M2 which to me sounds better than my Fulaim X5. Thank you for using it right from the beginning. Far too many reviewers leave it to the very end or don't even have any audio test at all. Thank you.
@@WillNewcomb Thank you for stopping by i try to be as honest i can be i hate spending time and money on gear this little guy rocks if you lower The receiver to half you get an even more cleaner sound
The DJI mics are a beast and Hollyland comes so close for a fraction of the price. Do they also record internally (in the mic itself) and offer a safety recording?
@@renzoviteri hey what’s up, man? Yeah, I like the sound of both of them but definitely the lark. M2 sounds more natural less muffled than the DJI but the mic it’s a bit too sensitive and it does not offer 32bit
Great concept, but this looks expensive so it's a security risk. Why the hell do these companies put their logo in huge letters, telling the world "please steal me", Saak needs this bag without their logo and in colors that don't draw attention. As of now only Shinobi understands a camera bag should not draw attention to itself. This Saak bag will only get itself stolen, lol. Without a waist strap the bag weight will not distribute, so it's all on your shoulders to carry it.
Hey thanks 🙏🏽. There is but very minimal you can notice it of your really pixel peeping but very hard to noticed, i think Constant Bit Rate 5:1 is the sweet spot
Hey thanks Man! So I had the camera temp at 5600K but the lights were 2700k except for the moon accent which I had at 4100k which is the closest kelvin value to the moon!
@@scamp_media Absolutely, the only time will you have the lights at the same temperature of the camera is if you want everything to go for a neutral look, to me that’s only good if you’re doing like RU-vid talk heads stuff like that, for documentaries, short films, movies, and music videos that’s when you can get creative and mismatch Kelvin values obviously intentionally if you want just no right or wrong is taste and creativity
@@scamp_media in this video I did a short film recreation and that’s when I actually used the same method I just said ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-smAbdphoV-Y.htmlsi=9LilyD7bs5VxBeVB lights at 2700k and camera at 5600k. Now for the very last shot since I shot it to be a night style I set the camera to 3200k my main keylight which in that last clip I used a hand held light I set it to 5600k but the moonlight I wanted it really cool I set the light to 6500k
it accepts signal up to 4k 30? Does that mean I can't shoot 4k 60 and have an image on the monitor? I don't quite understand how that works. Many people shoot 4k60 and even the new shinobi is max input at 4k 30.
@@definingslawek4731 Hey what’s up, it’s capable of viewing up to 4k/30 not 60 yea it’s a tough one to consider if You mostly do a lot of slo-mo i actually haven’t test it on 4k/60
@@JustFilmVibes Okay so it turns out you can just output from your camera at less than 4k seeing as we're not recording on the monitor anyway, and the monitor isnt 4k so then it's possible to monitor your 4k 60 as it will go to monitor at 1080 60.
@@definingslawek4731 I just tried it and it looks like it can monitor I set the camera to 4k/60 and the screen is displaying the footage I don’t see any problems
Well, your comparisons are clear as a bell whistle in the forrest :) The accuracy in temperature settings are bad on this light. Set as 5600K, going down to 10-15% of the power, the light outputs around 6400K, not 5600K anymore. Has been measured by others, your video show it. As soon you came up to 75-100% the light gets warmer and closer to 5600K. In low intensities it shows that is it cooler. Way off from 5600K. You are focusing here at the power output, but the color temperature is actually well noticable and more important. The light is far of "Pro" and have severe issues, that usually lights don't have.
@@wpse Yep that’s why it’s hard to Recomend for professional work but for the average RU-vidr or hobbyist I think it’s fine. But great point I didn’t actually paid much attention to that!
@@JustFilmVibes I saw that Wes Perry measured it in his video, where he did remeasuring of all lights in his list, but your video is not measured numbers, but really show it clearly. It is so obvious. Thanks.
As a beginner with a wireless Fulaim X5 on my iPhone 12pm, I've been disappointed with reviews of shot gun mics. But this is brilliant. While it still has some of the drawbacks of all shotguns (very location dependent), the audio is superb.
Accepted. But for a beginner like me, it's awesome! Thanks. PS 'Most' RU-vid audio reviewers videos have trash audio! Even as a beginner I can notice it! Just compare the audio on the RU-vid ads before the video with the reviewers creation!
