My name is Jhonny Célicourt AKA djecee, Record Producer, Radio Host, Musician, Video Producer, Podcaster and Communications Consultant.
This channel aims to continually promote Haiti's rich culture, almost unique in the Caribbean, through its music, dance, cinema, artists and creators from different backgrounds.
By subscribing to my channel, you'll have the opportunity to discover how wonderful the Haitian culture is and why this country is widely considered as the bastion of African culture.
A 24:43 yo montré’w bon manman ti vòlè a épi sak anrajé a tijoe sanblé tèt koupé ak bon manman’l épi fo manman lap vann sou rezo a se cousine li Ala koté nèg yo ransé mésieu 25:55 klèrman montre Tamara se cousine et mère adoptive papa foulay yo bay pou tijoe a lol.
Idk if this comment is wanted or not but as an American this reminds me a lot of blues,country,and similar forms. Same goes for the Canadian music of there isles. Dancehall feels closer to something like Kraftwerk or DJ Hell from 8ps Germany on the other hand to me although the roots elements are still definitely in there. This stands in much greater contrast to Jamaican Music to my ears at least in a modern context but really anytime post 70s though than it does to American Music. I think you could put some shit like this at the end of an Alan Jackson Song and a lot of people (maybe not everyone but a lot) wouldn't really bat an eye.
Your opinion is respected and received well. Many countries have been influenced by or have stolen Haitian classics without giving credit. Choucoune is the original version of Ti Zwazo which was then taken and sent abroad again as “Yellow Bird”