🎹 Welcome to Piano Symmetry, where the magic of music meets the art of symmetry! 🌟
ru-vid.com/show-UCJJa-v7HWZBsnLcBtPi48DQ421
Immerse yourself in the enchanting world of piano synthesia as we journey through the keys, unlocking the secrets of symmetrical play. 🎶 From classic melodies to modern tunes, join me in mastering each piece across all 12 keys, unveiling the beauty of piano symmetry. 🎭 Let's explore the visual and auditory symphony of music together - because true harmony knows no bounds. Hit subscribe, and let the keys unlock a new dimension of musical joy! 🚀
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@@pianosymmetry Yes, definitely. I usually don't like a minor (it's my least favorite key), but here it fits well. The whole piece has a bitter-sweet quality and some keys emphasize it better than others
@@pianosymmetryJust talking about your remake of Für Elise remake but minor and major are seperated into 2 videos and the tempo and parallel major are improved normally. (Apologize if it was annoying)
@@pcp_2509 I'm aware of what you're referring to. In one of my earlier responses to you, i did already say I may do them separately. So it's a possibility at some point
Will do. It’s on my list of ones to do as I’ve had the request a few times. These videos take quite a while to do and have a super long request list so please bear with me. It will be done. 🙂
B flat major fits amazingly. E major gives this piece a completely different vibe - it's not that energetic as original, but so pure. The same applies to F major as well
Glad you liked it. I don’t know what it is about hearing music in a different key from its original. For me, some keys just elicit a new feeling and make the song sound as if I’m hearing it for the first time.
When it comes To this piece, I’ve heard so many different tempos. Some Quite slow and others faster. The tempo I used is the tempo I’m Used to. Also it’s the similar tempo used in Rousseau’s version on his channel (whihc is the tempo I’m used to).
Individual Videos are rendered in 1080 p and then upscaled quite significantly again before final vid so not sure why it shows up for you as 480p. Very strange. I’ve even checked again and the quality on mine is definitely higher than you’ve mentioned.
In part this video is thanks to you for the idea. So appreciate it greatly. Turkish march is next on my list after I release moonlight sonata 3rd mv parallel major. Which hope will be up in a couple of days and then I’ll begin with Turkish march in all 24 keys.
Of but I’m not that familiar with Bach’s prelude. If he has more than one and you want a specific one pls do specify and I’ll add it to the list I have. Pls note, I’ve had several requests so it may take time to get to this one BUT I will deffo get to it. 🙂
It’s in the parallel major key which you can get by modulating e.g A minor piece into A major. It can be quite difficult to do for some pieces as many pieces modulate into several different keys (eg moonlight sonata). However, once done, it allows one to hear how a piece would have sounded if it were composed in its parallel key as opposed to its key composed. Hope that makes sense!
Hi, Thanks for your message. Yes I’ve seen your response but I don’t have anything else to say on the matter. You’ve mentioned a mistake but I don’t agree there is one (even with the new time). However, rather than go back and forth on it, I don’t really have anything else to say on it. Hope you have a great day either way. 🙂
@@pianosymmetry I mean you've hit the wrong note again. Check the part that I highlighted from your video and the other videos of this song so you will figure it out. 😉
You’ve highlighted 2:42 and at the section there isn’t a wrong note. I’m pretty certain as when I recorded this piece I made sure to play it correctly. I’ve also just checked it against Rousseau’s version and sheet music to confirm. Anyhow, have a great day.
It was just to "fix" that moment, so i don't have to search for it on the "time bar" ; i love that passage in F minor (in my opinion it is even better than the original key)
Thanks so much for your kind words and also the requests. I’ll add them to the list of pieces to do. Please feel free to request as many songs as you like and have a great day. I’ll get the songs done as soon as I can but will take a bit of time as I’ve had many requests and have very long list. 🙂
@pianosymmetry because chopin continuously keeps changing keys and some modulations cannot be just changed by flattening all the notes, like you can do with songs that don't use complex modulations, ballade has some notably structured and great modulations maybe at starting in Cmin Or minor 4 chord of 3:19 and this one 3:55 is much unusual for major keys, still more exists and this Neapolitan 7:14 , and if inverted ,then major should be minor and minor as major which makes sense but still it is extremely hard and before doing it, the harmonical language should be studied and researched and not everytime this min to maj inversion would work
