Hi Steve, just found your channel and listened to your piece. I enjoyed it but I am only a listener not an organist. I suggested to Richard that the 53 who missed out could have their pieces as the basis of an organ marathon. Keeping my fingers crossed. Blessings from New Zealand
@@bluefunkybassmanI can play it but right now I am away from the organ. Though, it sounds far more beautiful than my recordings.😂 I have uploaded my music piece, please do listen whenever you have time. I wonder why your composition was not chosen? It's quite mysteriously beautiful.
Quite reminiscent of a performance by Fergus-Thompson found here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-HysrVnkStFA.html that I love. Bravo! This piece is often not played with enough emotion or rubato and with too much restraint. This is perfect. 👏
Why no credit for the lyricists, Betty Comden and Adolph Green? From a revue, Two on the Aisle, starring Bert Lahr, this number was originally written for Lena Horne but ultimately introduced by Dolores Gray. Comden performed it brilliantly in A Party with Comden and Green (see elsewhere on RU-vid). Along with 100 Easy Ways to Lose a Man (Wonderful Town) and Thanks a Lot but No Thanks (It's Always Fair Weather), this ranks as one of the dynamic duo's most sneakily subversive pro-woman lyrics.
You need to hear Angelina Jordan do it when she was 10. Singing on a rooftop in Norway, with just a guitarist keeping time, and I found it had more feeling associated with it than Ella Fitzgerald who was recently rated the #1 jazz singer of all time. Sinatra was 2nd, and Natalie's dad rated #3, ahead of Billie Holiday.
This is an evocative piece for one of my favourite instruments. Very well scored - loved the orchestrations and particular, the pizz in the later section, reflected in the Coe Anglaise dialogue. Absolutely love rage video work. What company makes this plugin for the video work? Wonderful work with StaffPad and an excellent performance by the performer. I subscribed to your channel.
