Superior interpretación de korobeinikov, diariamente, mañana tarde y noche lo escucho, cada vez me gusta más, esta musica de bach es muy motivante, me llega mucho al alma, y que decir del director de la orquesta, simplemente estupendo.
Mis felicitaciones a todos los pianistas, hombres y mujeres rusos, ya que tocan este concierto de bach, mucho mejor que los propios alemanes, larga vida a la gran nación rusa.
Необычное прочтение Баха именно в этой вещи. Отличается от привычного (П. Осетинская и др.). Тем более интересно. Слышишь как бы уже другое и иначе. Здорово!
Fascinating piece. It has many musical gestures - though not an overall form - similar to 19th Century Romantic piano concertos. And while it has a far more dissonant harmonic language, within that language I can hear similar repeating melodies and chord progressions, similar build-ups, similar climaxes, similar resolutions, and similar big themes to its predecessors, all translated into its 20th Century idiom of very extended tonality. Notably, the big, climactic theme appearing at 6:05 and 19:50 sounds very much like the Orthodox hymn "Spasi, Gospodi, lyudi Tvoya (O Lord, Save Thy People)", also quoted in the 1812 Overture. And though Schnittke may have meant it as a cry of despair, though he may have meant its many references to the classical tradition as the darkest, bleakest, most sardonic kind of irony, it does not affect me that way. I find it quite possible to enjoy as music, no matter what subtext he intended it to have.
Absolutely mesmerizing performance! To my ears, this is an acoustic tale of a daring individual who is standing up to their fate and defying inevitability in a futile, but painfully beautiful attempt to overcome despair. It turned into a truly purifying experience for my mind. My utmost gratitude and admiration go to Schnittke's genius, as well as to Andrei Korobeinikov, Andrej Vesel and the wonderful orchestra for letting this sublime music shine in all its emotional palette.
