I’m on Apple and Spotify. Thanks for listening and please like and subscribe for more content. music.apple.com/us/album/azubuike/1498918842 or open.spotify.com/artist/3Wf0kEzm31j9kfnA7hHm9A?si=yz-7CxxgT2Sks4m9H5RESw
Unfortunately I don’t but if you have something that you would like for me to discuss, I would be more than happy to make a video. Please like and subscribe if you would like to see more instructional content.
Thanks! I think comes down to the algorithm and my consistency. My goal for now is to post three videos a week. Hopefully I will post more once the summer starts. I will have more time to work on some interesting projects. Please share and let’s see if we can get this channel off the ground.
@@Edjbeat_science Unfortunately I won't be much help with exposure since I'm not on social like that. I just have a youtube account. But I'm sure slow steady and consistent will get you there. Hey what daw do you use? I use reason 12 you probably know. Combinator multilayering instruments. You gotta try this one I know you're going to appreaciate this. Keyscape Rhodes Classic Suitcase. with Omnisphere's Melancholic Tines. this one in particular became my go to. Let me know what you think.
Thanks! 🙏🏾 I used the Roland Go Pro mixer with my iPhone. More information below. Please consider subscribing and sharing the channel! www.sweetwater.com/c265--Digital_Mixer?highlight=GOMIXERPROX&mrkgadid=&mrkgcl=28&mrkgen=gpla&mrkgbflag=1&mrkgcat=drums&percussion&acctid=21700000001645388&dskeywordid=&lid=58700008501148603&dsproductgroupid=&product_id=GOMIXERPROX&prodctry=US&prodlang=en&channel=online&storeid=&device=m&network=x&matchtype=&adpos=largenumber&locationid=9011288&creative=&targetid=&campaignid=20417179647&awsearchcpc=&gad_source=1&gclid=CjwKCAjwte-vBhBFEiwAQSv_xT62P4VgZ27HgANLmF5EiE6cwMr5oNXCbds-E0UinbBPJ-gwlG3gJhoCgU0QAvD_BwE&gclsrc=aw.ds
I have the CP88 and I absolutely ADORE the Hamburg. If you listen carefully THROUGHOUT THE ENTIRE KEYBOARD, the Hamburg is not "muddy" ANYWHERE. Contrast that with the other grand pianos (CFX, Bosendorfer, S700, and the others) and they usually have a section of the keyboard where the sound/tone is simply not as clear. The Hamburg has NONE of those habits. Had I known Yamaha was going to finally add the Hamburg to the YC88 I would have bought that instead of the CP88 because those B3's are to die for. Oh well!
I’m glad that I got the YC because of its versatility. The organ is almost good as the Nord and I love the Hamburg. It has a woody sound. To me it’s the authentic sounding piano Yamaha has ever made. I hope they include the Bosendorfer in the next update. If you like the content please subscribe. Let me know if you want to see more vids with the YC.
@@Edjbeat_science YES! Sadly for me, the YC didn't yet have the Hamburg when I went to purchase it, so I got the CP88 instead. I might go poking around to see if someone with a YC wants to trade for the CP. The organs on the YC ARE THAT GOOD (spoken by me, a LONG time lover of a good B3 with leslie). It's funny that you point out (rightly so!) that the Hamburg is the most authentic sounding piano...sampled by Yamaha...of a grand piano that is NOT theirs! HAH! Regarding the Bosendorfer, it is indeed a really good patch on the CP88, HOWEVER, it has its wrinkles. For some reason on the CP88 the highest 2 octaves or so of the Bosendorfer are MUCH MUCH quieter than the rest. I think it is by design (maybe that's how they are on a real Bosie??), but it's annoying...the REST of that patch is very very good. Gorgeous bass presence. Interestingly enough, if you turn off ALL reverb and hit the Bosendorfer with staccato, you can literally HEAR the room they recorded it in. They wanted some slight reflection of the sampled room and they got it! Heh heh. Another interesting point: my wife and I did some SERIOUS comparison of a song that I threw down on nearly ALL of the patches inside the CP88. With her semi-blindfolded (she doesn't know all the intricacies that I know about the patches), she picked the Bosendorfer as her favorite from an "expression" and "emotive" standpoint. So there ya go. Anyway...keep up the great work! Yours in piano and organ land...