Born in 1984 in Poland, studied clarinet (with Matthias Mueller) and chamber music (with Radovan Vlatkovic) at the Zurich University of the Arts (Switzerland), in European Chamber Music Academy with Hatto Beyerle and during masterclasses with sir Colin Davis, Sabine Meyer, Charles Neidich, Guy Deplus and others. Won prizes in international competitions in Luxembourg, Madrid, Ochrida/North Macedonia, Moscow, Kiev, Dobrowa Gornicza/Poland (Spisak International Competition), and Lodz/Poland (Tansman International Competition). Played concerts as soloist with orchestras in Poland, Czech Rep., Germany, Switzerland and Japan performing concertos by Molter, Mozart, Spohr, Francaix, Corigliano etc, as well as solo recitals and chamber music concerts. Before joining in 2012 the Sendai Philharmonic Orchestra in Japan on solo clarinet position, 2009-2011 served as clarinet player (orchestra academy) in Orchestra of Zurich Opera (now Philharmonia Zurich). Contact: dawid.jarzynski.info@gmail.com
So great! Imagine too, Mozart wrote 25 movements (5 divertimenti) for Basset Horns... and so well adapted here! Great job! Twenty-five pieces (five divertimenti) for three basset horns K. Anh. 229 (Anh. 229a; 439b) by Wolfgang Amadeus MOZART
Despina - Shimrock (wrongly) in 1804 publish’d 25 of these Trio Movements ALL in B-flat major (!!!) which is surely a mistake on his part as these Trio fragments were all conceived in different keys (E-flat, B-flat, F-major, C-major, G-major, D-major & A-major) ; perhaps one day the original MSS of K. 439b (K. Angang 229 from c. 1782/3) will surface and put an end to all the speculation about them-surely most (if not all) of these delightful Trios stem from Mozart’s divine pen in one form or another, and they deserve to be perform’d with other combinations of instruments besides Shimrock’s (3) Corni di Bassetto (horrifically transpos’d to B-flat throughout !) which though beautiful in an of themselves lack the elan or arrangements such as the one here for 1 Clarinetto, 1 Oboe e 1 Fagotto...the present arrangement (though transpos’d into the wrong key at times) is closer to Mozart’s original intentions to judge from the beautiful ‘Stile of Utterance’ -so full of the Elan & Taste of the Great Mozart himself ...
