Si los Stones comenzaron con otro artista como, por ejemplo, Mick Taylor en 1962, podrían haber sido más grandes que los Beatles en 1969. La "ecuación" con Jones es que estaba frenando su éxito creativo al obligarlos a cuidar a un borracho fuera de control. drogadicto durante ocho años.
For the people who claim Brian started the Stones, I just watched a video where Brian says he is so grateful that Mick and Keith let him in their band.
"In 1967 the Rolling Stones returned to the Ed Sullivan Show to do their new songs Ruby Tuesday and Let's Spend the Night Together. No longer were they brooding, dark-suited Edwardians--here were some postnuclear medieval polysexual minstrels. Brian Jones wore a pillbox hat on his enormous blond bouffant that changed America. I had a friend whose father kicked in the television set and then burned all of the kids' records after this performance. Beyond the future valley of rock video, Brian Jones's fashion look flipped hormonal synaptic switches into an AC/DC mode throughout North America. Almost enough for the Lifetime Achievement Award already."--From SPIN Magazine, May 1986
I saw this when I was little n I’ve always thought this was a beautiful song great words n the music fits it , It’s old but still a beautiful. When the original stone played with them they had some beautiful songs Damn to only stay young forever we’ll God bless us all
"Jimi Hendrix was honored to attend a Rolling Stones recording session for Ruby Tuesday. It was really Brian Jones' session. He was the master of the sound, and the various exotic instruments he played all fused into a melodic experience that expanded the parameters of the Rolling Stones' sound. Ruby Tuesday became number one as they hung out together. Brian was ecstatic over its success. He loved to hear it by chance, on the radio in his Rolls Royce, in a club, or out of a solitary window they happened to pass. Brian would tell with great relish of how he and Keith Richards worked and worked on coloring, adding dramatic yet wispy touches here and there, alternating the mix between lead voice and background vocal harmonies, while interplaying exotic instruments. Sounds that were impossible to identify gave Ruby Tuesday an eternal air of mystery and yearning."--'Scuse Me While I Kiss the Sky: Jimi Hendrix: Voodoo Child, by David Henderson
Bill Wyman wrote in his book "Stone Alone" that they conceded to Ed to sing "Let's spend some time together" because they really wanted to promote the song at the time. He also wrote that mick looked up towards the ceiling every time he sang "Some time together." Also, Brian really did play the piano and recorder on the original studio version of "Ruby Tuesday!" Talented guy that Brian. Both songs recorded In November of (1966).
Brian attempted to play an electric harpsichord on Ruby Tuesday but it was edited out when it clashed horribly with Jack Nitzsche's brilliant piano playing of the piano part that Keith wrote. Brian was directed and recorded his recorder part by Jack and Keith line by line and it was stitched together in the studio mix down. Brian wrote none of it. Paul Trynka lied to you.
@@crowkid5553 The melody of Ruby Tuesday, as Mick sang it was 100% composed by Keith Richards when he wrote the lyrics. The recorder accompaniment that Brian played was based directly on the faux baroque piano part that Keith had composed and the lines were spoon fed for Brian to play line by line from Keith and pianist / arranger Jack Nitzsche. Each phrase Brian played was recorded separately and stitched together in the final mix down. Brian was never able to replicate his recorder part in subsequent live performances.
@williardbillmore5713 well the reason he couldn't live was die to health and personal reasons, but there's conflicting reports about the melody part, or rather the countermelody which Brian plays
@@crowkid5553 There is no "contrapuntal melody" per se in Ruby Tuesday. The lines that Brian was given to play could best be described as rhythmical triplets based on the triad chord structure of the piano alternately traded with cadence phrases that anticipate and lead the chord changes that support the sung melody. Brian had never created anything nearly this structurally complex in his entire career and he didn't here either. If anyone other than Keith could be credited with co-writing Brian's recorder accompaniment in Ruby Tuesday, it would have to be the brilliant pianist and arranger Jack Nitzsche who worked tirelessly and brilliantly with Keith on both sides of this recording.
I don't think this was the performance that aired... I believe this was the rehearsal. In both cases all the music was prerecorded and only the singing was done live
