When I solo the midrange (dry) and isolate the frequencies from the Lows Phase Canc, the bass frequencies still continue to appear in the midrange chain. I can only completely remove the bass frequencies from the chain when I make an LPF around 5k. Just put a SPAN for example at the end of the chain and see that the bass is still there In other words, we don't have a phase cancellation in the frequencies compared to what the EQ with inverted phase is doing.
tHank you for the video! But I'm missing the part you explain how to set this plugin up. I mean, It seems this plugin forces me to make at least a copy of the track I want to use it... So, one kick channel for the transient and other kick channel for the sustain.
Exactly, I showed it quickly and explained that can beef the body without touching the transient. So you isolate the transiet with one instance, and the body with another one.
a lot of people give Cymatics stick, I like their samples, they just work... And Drew who just branched off in his own direction also makes great stuff.
I have a bunch of old and mostly free packs and yes, they deliver for EDM. Didn’t know about Drew, but I noticed only Steve marketing the plugins recently.
You’re right, I generally color by groups and add slight tints if there are relevant differences, and only recently started using white instead lf dark grey for drums because it made visuals easier on the eye :)
@@beat_spot I couldn't find an effect called Frequency Shifter, I found one called Shifter. Its not as accurate as the plugins I use. Is this what you are talking about. Maybe I will have to deal with lower quality just so I can have this effect.
@ScalieBloke yeah sorry, it was formerly named Frequency Shifter and now it’s just Shifter. It’s not high quality but really depends on your needs. Do you need to pitch multiple sounds up altogether?
@@beat_spot The way I have had it setup for over 10 years now is that every channel has a pitch shifter on it and it is activated with a button. One slider changes the pitch for everything that uses the same type of effect. I guess I could make this less intensive by doing some complicated midi work so when you trigger the effect on it activates a send that everything sends to but that might add a micro second of lag that I don't really want. I need to do some more playing around myself. I currently use a send and a return for other effects like reverb and delay but those I can get away with them being on sends. The reason why I want to keep things separate is so I can do live side chaining. I add the side chain from my mic to the instruments but not the drums. And I want to keep it that way. But I think the better thing to do is go back and use a separate physical processor that can do the job and just side chain my voice on top of the entire mix.
You obviously don't know the technique and definitely have all the plugins set up wrong. I watched the same video and understand the technique its an amazing technique if you do it right. Plus its not just thos nls or about the EQ and if you look at your stereo field its weaker on one side so it pulls the track to one side more so you have to counter balance it correctly and pan it properly so its centred. Everyone wants to be an expert on this nls plugin technique.... its 8 plugins that effectively is the same as an ssl console..... it replicates the ssl console. Plus you didnt watch it correctly cause they are all set to either spike, mike or nevo with 1 drive set to 0.5 and 1 trims 2db off. Lets no mislead just for views. If you do not understand the technique just tell the truth.... they are set in parallel with the drumbus so the signal of the original drums go into the SSL console ( NLS buss then to the drum bus. Best technique from an award winning music producer. Id definitely would listen to jaycen joshua over this fake remake with a beat producer who tries his hand at mastering 😂😂 make your beats and leave it to the professionals to finish.... @jaycenjoshua @inthemix
This is just too convoluted and situational to call it a technique. While I learnt many other interesting stuff from Jaycen, this is flat out stupid. Stop the dickriding.
Huh! And how many Grammys did you win? This is what happens when you try to use somebody's trick to make videos, but don't understand the actual technique behind the trick.. Jaycen has won over 15 Grammys and is widely considered the absolute King of low-end. His work speaks for itself.
It applies a fixed phase rotation. It doesn’t “adapt” every single time to the sound so it’s in phase with another, also because it doesn’t analyze any other sound to do so. However, you can’t always have a perfect phase relationship between two sounds across a track because many things such as detuning, different start positions and also different notes occur, inevitably causing phase issues to some degree.
Sorry, at the moment I can't afford much to pay attention to such granular differences. This is something I've never seen, actually, but it's also true that me and most other preset makers/content creators/top artists just go with Suite and don't even think about it.
Ok, but does it work? I notice in the Ableton economy, when something sounds great (Granulator) people focus on the fact that it sounds great. When it doesn’t sound so great (Tension), people focus on all of the buttons and sliders that produce a not great sound.
I'd say it's the kind of instrument you use by scrolling presets and fine tuning whatever you need rather than create sounds from scratch. Many ableton users underestimate the raw potential of the native devices and go look for plugins.
@@beat_spot During the mixing process, I apply a preamp plugin to each channel except for the aux, then route all the drums to a drum bus and the instruments to a bus. I only increase the sampling rate of the preamp when I'm bouncing them. In my opinion, these are the best preamps in terms of sound quality and accuracy in replicating the preamp sound, and this is the console I prefer to pair them with: 1. Kiive NFuse N (RND Shelford Preamp) + bx_console AMEK 9099 (AMEK 9098i Master Recording Console) 2. Kiive NFuse F (SSL VHD Preamp) + bx_console 9000 J (SSL 9000 J Mixing Console) 3. LTL Silver Bullet MOJO N (Neve VXS Preamp) + bx_console N (Neve VXS Console) 4. LTL Silver Bullet MOJO A (API 512) + UAD API Vision (API Vision Console) 5. LTL Silver Bullet MOJO C (SSL VCA Output) + bx_console 4000 E/G (SSL 4000 E/G Mixing Console) 6. VPRE-376 (Telefunken V376) [Same topologies as Focusrite ISA] + bx_console Focusrite SC (Focusrite Studio Console) 7. VoosteQ Model N (Neve 8028/8078 Console) 8. NEOLD V76U73 (TAB/Telefunken V76 Mic Preamp and U73 Compressor/Limiter).
in fact it's simpler to set a value that mathematically works and nudge it a bit with key arrows later. High End stuff building up on top of transients can lead to nasty artifacts when limiting the whole track.
This technique works really well for adding small variation with a 4x4 kick pattern, a lot of music at this tempo favors using the shorter hats until the 4th (or 8th) kick where you let the full length hat play out
are they free for everyone? I thought they were still available for past customers. However, sad they ended their business, but still a great move to keep the website live.
Dont get me wrong. I'm here because the last thing I want to do is give Unison a single penny but it's not like the plugin plays random notes in the key of C or something. You input midi chords that your track is based off of and it uses those chords to pick the notes. That's a huge difference, especially because it's not purely just hitting the root note in different patterns, especially in genres like funk it legitimately will riff off the chords. That's useful, especially when you're trying to incorporate styles off of genres you don't have experience in. Hopefully the plugins you suggested do that as well
The entire Captain Epic suite costs less and offers a plugin for each aspect of songwriting, all interlinked so they talk to each other. That alone is miles ahead the value offered by Unison's plugins. Also, a single Captain Epic plugin offers many more parameters to tweak than a single Unison plugin, and it's not even overwhelming UX-wise. I wouldn't have bothered if the plugin did cost something like $20, but $300 as a "limited-time" offer after almost a year (lol) is criminally predatory marketing.
I seriously don't get the bugs. Vst not showing give ableton ample time to scan system and custom folders. Be patient and Learn the system and don't just assume things would work like before as change is always new. After 3 days with live 12 I have gotten over most of your critics and can't imagine going back to 11
I rescanned all the plugins even by keeping the alt key pressed. Didn't work. Good for you that you're already happy with Live 12. Not willing to put all my eggs into that basket yet though.
