My goal around here is simple. To help you unlock your creativity with actionable tips to level up your photo editing in Photoshop & Lightroom. It's time to actually to have FUN creating again.
Brendan Williams is a professional photographer and photo retoucher turned founder of www.bwillcreative.com, one of the leading photo editing education resources online. With 700+ free guides, it's the ultimate starting point for any creative starting their journey with Photoshop or Lightroom.
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People are going to learn how easy my job is. Now I'm going to get promoted to Janitor while my boss plays on my work station drawing 2d dongs on people's head. Thanks Brendan.
Yes, I prefer this for this type of situation so it's easier to choose the underlying color while blending. You can create a transparent pattern by cutting out any pattern you already have, and saving a new pattern preset for it.
Hi Sir! I really enjoy your tutorials about Photoshop. I always watch them. They are easy to understand and follow. I would like to request if you could create a tutorial video on the best techniques for halftones using Photoshop, focusing on achieving a clean and detailed result for printing on t-shirts. I'm just hoping you might consider this. Thank you! :) from Phil.
you forgot 1 step before you can click on hue,saturation: first click on adjustment presents,then you have the opportunity to click on single adjustments,THEN you can click on hue,saturation.
Love this video. Some great tips and techniques. One question - for the warping, why not try a displacement map? You already have a nice white and black shirt with the folds, etc.? Although, i suppose the Warp technique gives you more control. . .but overall, really nice.
Great info! But from a garment construction perspective, the sleeve is a separate piece that is inserted into an opening. The fabric is not one continuous design overlay as you have it. Is there a way to separate the sleeve as well but then fill it with the leaf pattern (but shifted) so the pattern doesn’t match at the seam. The same could be done with collar and pockets. The shirt would be much more realistic to the trained eye. Hope this helps.
^ Agree. In most off-the-rack clothing, collars, pockets and collars rarely match up with the pattern of the torso. A better option might be to have these as all separate layers, with the patterns slightly misaligned.
Very good point that I did not think of. In that case you could just apply multiple pattern sections by doing the same steps, but with separate selections and patterns for the sleeves, pockets, collar, etc.
Adobe should NOT be in business. My text is upside down... you CANNOT move the X past the O, they will only overlap at which point there is no text visible. Then if I try enough times I inevitably click off of the path, creating many new layers, then loose the controls for the path and have to start over. The people who are in charge of maintaining this program should not be employed by anyone.
I did same but file file is showing as HTML Documents with chrome thumbnail. Extension is still svg. Open in browser when double clicked. Mine is windows 10 with AP 2020. Help
... or you can silo the subject manually with path tools or brushes in the time its taking to use this process. When this first functionality became available I was excited and really tried all these workflows to save time. It turned out that in many cases it took longer to make all these adjustments than using paths or brushing a mask manually.
