Opera Rara’s mission is to restore, record, perform and promote the lost operatic heritage of the 19th and early 20th centuries.
Opera Rara is a unique combination of opera charity, recording label and live operatic archaeologist. We search for neglected operatic masterpieces and restore them to life for contemporary audiences to enjoy. Working with the best singers, conductors, orchestras and musicologists, we are at the cutting edge of the opera world, leading the expansion of the repertoire and encouraging other opera companies to explore new and unknown rediscoveries.
Opera Rara’s Artistic Director Carlo Rizzi was appointed in 2019. Internationally renowned soprano Renée Fleming, who made her opera recording debut with Opera Rara in 1994 in Donizetti’s Rosmonda d’Inghilterra, is our Honorary Artist Patron. In 2022, marking Donizetti’s 225th birthday, we announced Ermonela Jaho and Michael Spyres as Artist Ambassadors.
Oh christ he wrote more than one??? I assumed maybe Hoffman was so ridiculous cause he was (I presume) utterly senile by that point, maybe theres no robots or eyeball cloaks in this one...
I mean yeah, but Verdis (much worse IMO) Otello doesn't sound much like that at all. This one is actually interesting. Theres a few 32nd notes in there! I dont know if verdi even knew "short" notes existed at all lol, let alone actual coloratura...